sun 28/04/2024

New Music Reviews

Odd Future, The Drop, Stoke Newington

Paul McGee Tyler from the LA rap teenage outfit Odd Future: On Big Lists everywhere

Given the somewhat viral nature of Odd Future's rapidly flourishing notoriety, it's both appropriate and a little ironic that their debut UK performance should take place in the basement of a pub in a part of north London where the underground doesn't run. Also known as OFWGKTA (or Odd Future Wolf Gang Kill Them All), this 10-strong self-contained teenage rap conglomerate from Los Angeles has united hip-hop über-nerds, jaded old-schoolers and regular rap fans alike – a remarkable...

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Terry Riley Celebration, St George's Bristol & Bristol Old Vic

mark Kidel

Terry Riley is one of the great unsung heroes of contemporary music, the ur-minimalist who shaped the creative paths of John Adams, Peter Townshend, Mike Oldfield and Philip Glass, to name just a sample of the wide range of musicians who have been inspired by his raga-tinged loops and all-enveloping electronic soundscapes.

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Wilko Johnson, O2 Academy Islington

howard Male Wilko and Telecaster: ‘A great Wilko riff motors along like a speeding truck over the roughest terrain.'

Is it a bird? Is it a plane? Is it an amphetamine-fuelled chicken on rollers? No, it’s the one-time guitarist for Dr Feelgood (during the only period that matters) still doing the moves that made him the main reason to see the band in the mid-1970s. Now bald-headed and bushy-browed but still delivering those electrically charged stares (which he learnt to do during a brief stint as a schoolteacher), he had the air of a benevolent dictator last night as he surveyed the Academy’s crowd for...

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Magnetic Man, Heaven

joe Muggs Magnetic Man's LED cage

Rave music, in its many ever-mutating forms, is now more than a generation into its existence. Many, possibly most, of the crowd pushing into Heaven, under Charing Cross station, weren't even born when acid house fully hit the UK in 1988, but none of them are here for some retro experience. It's hard, as a superannuated lover of electronic beats, not to feel cultural vertigo at the fact that what once felt like the most impossibly inhuman of sounds has now become so ubiquitous and so...

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Ariel Pink's Haunted Graffiti, The Garage

Kieron Tyler

Bounding on stage in a purple version of the man dress pioneered by Mick Jagger at The Stones’s 1969 Hyde Park concert, Ariel Pink looks like a mistranslated version of what a late-Sixties rock star should be. His long hair is dyed blonde. The roots show. His make-up is already smudged, as if applied with mittens.

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Neil Diamond, Radio 2 Electric Proms, Roundhouse

David Cheal

At 7.55pm I was tired and grouchy. By 9.30pm I was a happy man, thanks to Neil Diamond. Say what you like about this 69-year-old singer and songwriter: he may be a cheesy old showbiz pro, but personally I am partial to a bit of cheesy showbiz, and an hour and a half in his company on the final night of this year’s Radio 2 Electric Proms was a real tonic.

With his Thunderbirds eyebrows and his prowling gait, Diamond was an imposing figure whose voice has lost none of its gritty...

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Keith Richards: A Culture Show Special, BBC Two

Jasper Rees

“I was a very good soprano.” Of all the sentences you’d not expect to hear tumbling from the mouth of Keith Richards, that one is up there with "Tap water for me, please, and I do hope this vegan restaurant is non-smoking." He has the addled larynx of a Fag Ash Lil who, when not mopping and dusting, perches on a barstool glugging gin and puffing on Bensons. But once upon a time little Richards did once sing for the Queen.

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Carl Barât, Scala

Bruce Dessau

It is not easy to kickstart a fresh musical career after you've been in a painfully fashionable – and intermittently brilliant – band. It is even harder when this is your second bash at starting out again. And harder still when a couple of months ago you trousered enough money to keep you in leather jackets for a lifetime by briefly reforming that original band for a pair of festival cameos. Yet last night erstwhile Libertine and ex-Dirty Pretty Thing Carl Barât did enough to suggest that,...

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Agnes Obel: Philharmonics

Kieron Tyler

Although Danish singer-songwriter Agnes Obel has professed a kinship with Roy Orbison and his grand musical dramas, it’s John Cale that she covers on her debut album. Choosing the slow-burning “I Keep A Close Watch” from 1975’s Helen Of Troy (Cale re-recorded it in 1982 on Music For A New Society) is telling. Not only does Obel look for and seek to telegraph emotion, she is allying herself with performers and songwriters recognised as passionate and heartfelt.

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Manu Chao, Coronet Theatre

Peter Culshaw

“It’s not often you get a global superstar down at the Elephant and Castle,” marvelled a local who spent the evening dancing like a dervish to the infectious music of Manu Chao, who had breezed into London for a rare show last night off the back of a short tour of Japan and the West Coast of America. The first person I saw as an usher was Colombian philosopher Oscar Guardiola-Rivera whose book What if Latin America Ruled the World? suggests - among many other things - that the US is...

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