sun 07/09/2025

New Music Reviews

Amanda Shires, Woodend Bowling and Tennis Club, Glasgow

Lisa-Marie Ferla

In a members-only bowling club, down a side street in a residential part of Glasgow I'd never visited before last night, Texan fiddle-player and songwriter Amanda Shires stood wearing the most magnificent pair of cowboy boots I had ever seen.

Read more...

Graham Coxon, Liquid Room, Edinburgh

graeme Thomson

Funny how things turn out. As Damon Albarn has morphed from Blur’s Fred Perry-sporting jackanapes into the thinking man’s musical adventurer, flitting from opera to Malian music to cartoon conceptualist, Graham Coxon has opted to pursue the low key and lo-fi, seemingly happier hanging out on the margins than infiltrating the mainstream.

Read more...

The Sinking of the Titanic, Gavin Bryars Ensemble, Philip Jeck, Barbican Hall

Igor Toronyi-Lalic

I don't have many feelings about the Titanic (any more than I do about any tragedies of the distant past). I know few of the facts, I can remember nothing of the film and I have been left almost completely untouched by the centenary. Yet I am enormously grateful to have caught a Barbican performance of The Sinking of the Titanic, Gavin Bryars' beautiful musical meditation on the event.  

Read more...

Just in From Scandinavia: Nordic Music Round-Up 4

Kieron Tyler

Two things are certain with music coming from the north: there will be some wonderful surprises and some of it will sound like nothing else on earth. It’s even more enticing when the two merge. Making the peculiar accessible is a uniquely Scandinavian knack. There are more than a few examples of that – the creation of new micro-genres – in this round-up of current and new releases, but some straightforward albums are equally striking.

Read more...

Lauryn Hill, IndigO2

Natalie Shaw

Lauryn Hill is back, and not just literally. Making her first UK appearance in five years, she silenced the doubters with a fully commanding and controlling show. A spellbound crowd watched as she wiped out the memory of years of disappointing concerts, reinvigorating her unmatchable prowess in a 100-minute set taking in songs from The Miseducation of Lauryn Hill, a selection of Fugees classics and some stunning Stevie Wonder and Bob Marley covers.

Read more...

Sweet Home Alabama: the Southern Rock Saga, BBC Four

Kieron Tyler

“Suddenly, all America wants to be a redneck”. That might be slightly overstating the impact of southern rock on American culture. Californian ex-actor Ronald Reagan becoming president in the footsteps of Georgia’s Jimmy Carter suggests it’s an unsound declaration, despite the prime-time scheduling of The Dukes of Hazzard during Carter’s tenure. Sweet Home Alabama made the case for the rock music of the south, but failed to convince that it inspired a cultural shift.

Read more...

Simone Felice, Electric Circus, Edinburgh

graeme Thomson

Nothing tests an artist’s mettle more severely than having to negotiate a full-blown case of tech-horror. Half way through the third number last night, a particularly sweet version of “Summer Morning Rain“, an ear-scorching sonic car crash brought everything skidding to a decidedly ugly halt. Simone Felice leapt from his chair like a scalded cat and muttered something about lawyers. For a moment I thought he was actually going to scarper. And it had all started so well.

Read more...

Soap & Skin, Scala

Kieron Tyler

Any shade you want, as long as it’s dark. Songs like “Extinguish Me”, "Deathmental”, “Mr Gaunt Pt 1000” meant last night wasn’t going to be defined by uplifting toe tappers. On album, Soap & Skin’s music is desolate, emotive and turbulent. The songs are tremendously affecting, with a touching intimacy. But live, too few heights were scaled.

Read more...

Sufjan Stevens, Bryce Dessner & Nico Muhly, Barbican

Marcus O'Dair A

Sufjan Stevens is a singer-songwriter of startling scope, one minute releasing a record dedicated to the state of Illinois, the next a five-disc Christmas box set or an album for the animals of the Chinese Zodiac.

Read more...

Cher Lloyd, IndigO2

Natalie Shaw

Cher Lloyd first appeared aged 16 on The X Factor with a storming cover of an unofficial bootleg version of “Turn My Swag On” - a song that peaked at just number 48 on the UK singles charts. Knowing so much about music at such a young age set her apart from the entire competition, and it’s no surprise that her debut album Sticks + Stones is the most feverish and bold set that anyone from the show has yet produced. 

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

'We are bowled over!' Thank you for your messages... ...
Ganavya, Barbican review - low-key spirituality

At the start or her show, the white-robed singer Ganavya does something unusual: while other performers usually warm their audience up before...

Music Reissues Weekly: Chiswick Records 1975-1982 - Seven Ye...

Chiswick Records 1975-1982 - Seven Years at 45 RPM is a triple album marking the 50th anniversary of the first release...

I Fought the Law, ITVX review - how an 800-year-old law was...

ITV continues its passion for docudramas about injustice, which you can’t...

theartsdesk at the Lahti Sibelius Festival - early epics by...

It’s weird, if wonderful, that vibrant young composers at the end of the 19th century should have featured death so prominently in their hero-...

Deaf Republic, Royal Court review - beautiful images, shame...

The Ukraine war is not the only place of horror in the world, but it does present a challenge to theatre makers who want to respond to events that...

Album: Josh Ritter - I Believe in You, My Honeydew

Americana rocker Josh Ritter can write a beautiful song....

Laura Benanti: Nobody Cares, Underbelly Boulevard Soho revie...

Laura Benanti has been enchanting Broadway audiences for several decades now, and London has this week been let in on the secret that recently...

Waley-Cohen, Manchester Camerata, Pether, Whitworth Art Gall...

Manchester Camerata is enhancing its reputation for pioneering with three performances featuring Nick Martin’s new Violin Concerto, which it has...