thu 25/04/2019

Marcus O'Dair and Igor Toronyi-Lalic

Articles By Marcus O'Dair And Igor Toronyi-Lalic

latest in today

Who’s Afraid of Drawing? Works on Paper from the Ramo Collec...

Paper is traditionally the medium though which artists think. Stray thoughts and experiments can be quickly tried out, pushed further or...

Avengers: Endgame review - Marvel save the biggest and best...

The Earth’s mightiest defenders are back in a triumphant climax, 11 years in the making. Despite a three hour runtime and an overstuffed preceding...

Ain't Misbehavin', Southwark Playhouse review - a...

The joint is jumpin’ at Southwark Playhouse, now hosting an irresistible...

Mitten wir im Leben sind, De Keersmaeker, Queyras, Rosas, Sa...

All Bach is dance, a teacher once told me. The justifiable...

Nouvelle Vague, Islington Assembly Hall review - the dreamy...

When you’re off to Islington’s beautiful Assembly Hall for an evening of slinky...

Rodrigo y Gabriela, Roundhouse - sound and (new) noise

It was in the early 2000s in a tiny, gritty Camden bar that I first saw Rodrigo y Gabriela live. Camden was less pretty then - a look was close to...

Mark Thomas, BAC review - impassioned polemic about the NHS

Mark Thomas issues a health warning for Check-Up: Our NHS at 70  at Battersea Arts Centre  – “This show...

CD: P!nk - Hurts 2B Human

Look behind the lyrics of some of P!nk’s biggest hits, and you’ll see that those powerhouse vocals and big pop-rock...

Billy Budd, Royal Opera review - Britten's drama of goo...

On one level, it's about Biblically informed good and evil at sea, in both the literal and the metaphorical sense. On another, the love that dared...

Suede, Brighton Dome review - Brett Anderson gives it full f...

Suede finish “Sabotage”. It’s a mid-paced, elegant number set off by swirling, circling central...