thu 25/04/2024

Film Reviews

L'immensità review - enigmatic portrait of a trans teen in an unhappy family

Helen Hawkins

Emanuele Crialese’s latest, L’immensità, is an oddity. It’s perfectly formed, yet still feels as if its final reel went missing. Its title – usually translated as “infinity” – is typical of this enigmatic quality. 

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You Hurt My Feelings review - Manhattanite comedy with a characterful cast

Saskia Baron

Popped straight out to the streamers, Nicole Holofcener’s new film has apparently been labelled as insufficiently marketable for a theatrical release against the juggernaut of Barbenheimer. Surely by now a movie that doesn't feature either Ryan Gosling or Florence Pugh’s bare chests could be allowed in the cinema?

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Alone at Night review - cam girl meets crowbar killer

James Saynor

The vogue for star ratings fixed to film reviews arrived after the heyday of exploitation movies, which is perhaps just as well because the whole point of such films is that they’re good and terrible at the same time.

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Joy Ride review - pioneering horniness

Nick Hasted

This Seth Rogen-produced, Family Guy writers-co-scripted gross-out comedy with four Chinese-American women fully lives up and down to its description. With Crazy Rich Asians co-writer Adele Lim as debuting director, it’s also another demographically pioneering work.

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Meg 2: The Trench review - into the jaws of tedium

Justine Elias

Big bitey sharks and prehistoric monsters have tantalised the imaginations of summer moviegoers for decades, from Jules Verne to Jaws. James Cameron’s Avatar 2: The Way of Water and the director’s recent scientific commentary on the OceanGate submersible disaster also serve to underline the public fascination with the dangerous deep.

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Paris Memories review - recalling the terror, bit by bit

James Saynor

People have been making films about the unreliability of memory since, oh, I can’t remember. Often it’s a cue for a genre escapade, but here French filmmaker Alice Winocour gives us a social drama, telling the fictional story of a survivor of the terrorist attacks in Paris in November 2015, which killed 130.

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Baato review - Nepalese mountain folk await big changes with excitement and anxiety

Sarah Kent

It doesn’t do to be in a hurry in Nepal. In Baato, directors Kate Stryker and Lucas Millard follow Mikma and her family as they travel 300 kilometres from their mountain village in Eastern Nepal to the town of Terai. It takes the best part of a week for the five adults, two boys, and two dogs to walk the narrow paths until they reach the unpaved road where they can board rickety buses or jeeps to complete their journey.

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The Beanie Bubble review - an under-stuffed, misshapen product saga

Helen Hawkins

Another week, another toy story, in the wake of Barbie. And another origin-of-hit-product story, too, after Air. The Beanie Bubble, though, has none of the surprisingly gripping appeal of Nike’s rise and rise via a single trainer design, nor the (sporadic) wit and bounce of Greta Gerwig’s mega-hit. It’s all corporate idiocy, shabby dealings, and misogyny. And failure is nowhere near as fascinating as success.

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Talk to Me review - teens tempt fate in Aussie alienation allegory

Justine Elias

Keeping up with viral teenage trends is nearly impossible – they travel at the speed of light – but here’s a new one, or ancient one given an electronic makeover.

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Everybody Loves Jeanne review - charmingly weird romantic comedy

Markie Robson-Scott

Céline Devaux, known for her award-winning short films, wrote, directed and drew the animations for her charming, funny debut feature, which takes the concept of the critical inner voice and runs with it.

Blanche Gardin is brilliant as Jeanne, whose revolutionary invention, a structure that traps and removes microplastics from the ocean - it's called Nausicaa, which doesn't bode well - ends up as a dismal failure at its launch.

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My Name Is Alfred Hitchcock review - a sly primer

Graham Fuller

Mark Cousins pulled off a coup for his latest film history documentary, My Name Is Alfred Hitchcock, by getting the great director to narrate it. In his catarrhal East London drawl, Hitchcock parses dozens of the brilliant visual techniques he used to elicit emotional responses in his movies' audiences, as Cousins cuts rapidly from one memorable excerpt to another. Quite a feat since Hitchcock died 43 years ago.

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Oppenheimer review - epic and enthralling study of 'the father of the atomic bomb'

Adam Sweeting

With a track record that includes Memento, Dunkirk, Insomnia and Inception, Christopher Nolan is not a filmmaker who could be accused of a lack of ambition, but even by his standards Oppenheimer is a staggering achievement.

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Barbie review - uneasy blend of farce and feminism

Helen Hawkins

The prologue to Greta Gerwig’s Barbie augurs well. A gaggle of young girls in a rocky desert are playing with doll-babies while enacting the mind-numbing drudgery of the early 20th century housewife. Then a new godhead arrives, a giant pretty blonde whose stilettoed feet turn slightly inwards. The girls go into a frenzy of old-doll-smashing, Also Sprach Zarathustra swells up and one girl throws her doll high in the air.

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A Kind of Kidnapping review - claustrophobic class-division satire

Hugh Barnes

A Kind of Kidnapping is a low-budget British comedy with a neat premise and satirical view of class and politics in the midst of a cost of living crisis.

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Medusa review - stylish, smart, seriously strange Brazilian satire

Demetrios Matheou

“There are sex maniacs out there, sodomites, murderers, suicidal people, and communists on the loose! I vote for a curfew!” 

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The Damned Don't Cry review - a Moroccan mother and son on the margins

Markie Robson-Scott

British-Moroccan director Fyzal Boulifa’s second feature is a departure from his first, the brilliant and disturbing Lynn + Lucy of 2020. That was set on an Essex housing estate; this one takes place in Morocco.

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