Film Reviews
A Kind of Kidnapping review - claustrophobic class-division satireSaturday, 15 July 2023
A Kind of Kidnapping is a low-budget British comedy with a neat premise and satirical view of class and politics in the midst of a cost of living crisis. Read more... |
Medusa review - stylish, smart, seriously strange Brazilian satireSaturday, 15 July 2023
“There are sex maniacs out there, sodomites, murderers, suicidal people, and communists on the loose! I vote for a curfew!” Read more... |
The Damned Don't Cry review - a Moroccan mother and son on the marginsFriday, 07 July 2023
British-Moroccan director Fyzal Boulifa’s second feature is a departure from his first, the brilliant and disturbing Lynn + Lucy of 2020. That was set on an Essex housing estate; this one takes place in Morocco. Read more... |
Shabu review - documentary-drama about youngsters in RotterdamFriday, 07 July 2023
This loose-limbed movie follows Shabu, a 14-year-old boy who is growing up on the public housing estate known as the Peperklip (Paperclip) in Rotterdam. It’s the summer holidays and he’d like to hang out with his girlfriend and his mates, but first he’s got to sort out some trouble. Read more... |
Mission: Impossible - Dead Reckoning Part One review - buckle upThursday, 06 July 2023
After 27 years and half a dozen instalments of a franchise predicated on its ability to up the ante on itself to ever more dizzying heights of ingenious, character-driven, genuinely heart-in-mouth action, the killjoy or cynic may well be lining up an alternative title for the latest: Mission: Impossible – Anti-climax. But they would never get to use it. Not a chance. Read more... |
Indiana Jones and the Dial of Destiny review - a baggy, finally poignant finaleSaturday, 01 July 2023
Raiders of the Lost Ark (1981) revived Thirties adventure serials’ simple thrills, a George Lucas notion adrenalised by Spielberg. Its hero Indy Jones wasn’t built for depth or pathos, and the struggle to find reasons for his return notoriously sank Indiana Jones and the Kingdom of the Crystal Skull (2008), and left this final chapter in production purgatory till Harrison Ford was 79. Read more... |
Mother and Son review - 20 years with an erratic maFriday, 30 June 2023
In French, this film is called Un petit frère (“A little brother”), and for once it may be that a film’s English title is an improvement on the original. The fitful and fragmented second feature by Léonor Serraille is about a multi-tasking migrant from Ivory Coast and her two sons, whom we drop in on at intervals across 20 years or so, beginning in 1989. Read more... |
La Syndicaliste review - a star outshines her conspiracy thriller scriptThursday, 29 June 2023
On the face of it, La Syndicaliste (aka The Sitting Duck) is a conspiracy thriller that runs along familiar tracks: clever woman begins to suspect dirty dealings at a very high level in the high-stakes industry she works for and lands herself in a dangerous mess. There are anonymous phonecalls, menacingly bright headlights behind her… Think Silkwood in stilettos. Read more... |
Hello, Bookstore review - a documentary with shelf lifeWednesday, 28 June 2023
It’s impossible not to fall in love with Matthew Tannenbaum, the man at the centre of this delightful film. Reading books and chatting to people about books are two of his favourite occupations, so running a bookstore is his idea of paradise. His pleasure is so infectious that the independent bookstore he’s run in Lenox, Massachusetts for over 40 years has become a hub of bonhomie. Read more... |
The Super 8 Years review - Nobel laureate’s meditative self-portrait from home moviesSaturday, 24 June 2023
The French auto-fiction writer Annie Ernaux, now 82, was awarded the Nobel Prize for literature last year; now a fascinating new facet of her creative life has been released via her home movies. Read more... |
Asteroid City review - desert dreamsFriday, 23 June 2023
Multi-media meta-layers land fast in Wes Anderson’s 11th film, overriding reality. Here’s Bryan Cranston’s portentous Fifties TV host (pictured below) in black-and-white, boxed Academy ratio, documenting rehearsals for a televised play, whose fictive reality then becomes a widescreen colour train hurtling through the desert. The latter scene's exhilarating cinema still sweeps you up. Read more... |
No Hard Feelings review - nothing about this queasy comedy feels quite rightThursday, 22 June 2023
Last year Jennifer Lawrence won critical plaudits for her war-trauma drama Causeway, which seemingly signalled a bold new direction for her career, but how she got from there to No Hard Feelings is a bit of a mystery. Nothing about it feels quite right. Read more... |
The Flash review - back to DC, unremarkablySaturday, 17 June 2023
Superhero movies are the nearest equivalent to American holiday parades: they come along with noisy, bright regularity, and crowds either flock to them, many eager persons deep along the sidewalk, or flee to quieter neighbourhoods. Read more... |
Pretty Red Dress review - not so sparkly British black filmFriday, 16 June 2023
Pretty Red Dress opens with a classic Motown-esque girl group belting out a show tune before cutting to Travis (Natey Jones) as he leaves prison. Waiting for him outside is Candice (Alexandra Burke); she’s sitting in her Audi, singing along to the radio. At home is their teenage daughter, Kenisha (Temilola Olatunbosun), happy enough to have her dad back in their Lambeth flat on a council estate, but facing her own problems at school with both authority and friends. Read more... |
Medusa Deluxe review - combing for clues in a stylish murder mysteryMonday, 12 June 2023
Medusa is having a moment. From Natalie Haynes’ feminist novel to the recent Brazilian horror movie, the beleaguered, beheaded, snake-haired monstress of Greek myth rises again, and again, as a symbol of female rage and resistance. Read more... |
Chevalier review - a less than extraordinary film about an extraordinary manFriday, 09 June 2023
This frothy bio-fantasy about the 18th century composer Joseph Bologne, Chevalier de Saint-Georges and top tunesmith to Marie Antoinette at the French court, could have been a powerful and revealing shout-out to a woefully under-appreciated composer. Read more... |
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