tue 30/09/2025

Film Reviews

London Film Festival 2023 - a mixed bag of dramas and documentaries

Saskia Baron

The London Film Festival continues to pull in an eclectic selection of films from all over the world. And it’s from the countries not known for their movie industries that some of the most impressive and engaging films have emerged.

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London Film Festival 2023 - provocation, celebration and film-buzzing community

Demetrios Matheou

When Kristy Matheson won the job of BFI London Film Festival director, she spoke of the chance afforded by festivals for filmmakers, artists and audiences “to commune on a grand scale – to experience ideas, ask big questions and celebrate together.”

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20 Days in Mariupol review - carnage in a dying Ukrainian city

Hugh Barnes

Mstyslav Chernov’s 20 Days in Mariupol, which won the World Cinema Documentary Competition at Sundance this year, is an emotionally devastating account of the inhumanity of war.

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The Great Escaper review - Glenda Jackson takes her final bow

Saskia Baron

This wasn’t a film to go and see with my 94-year-old father and hope I’d come out with my critical faculties intact and my handkerchief dry. The Great Escaper is an old fashioned, old school weepie about ageing, guilt and the horrors of war. 

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BlackBerry review - the nerds versus The Man

Adam Sweeting

Nothing goes out of date like new technology. Who now remembers how plain old Alan Sugar brought word-processing to the masses with the Amstrad PCW 8256, or how the Psion 5 was for a moment the last word in personal organisers?

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The Creator review - bold, beautiful, flawed sci-fi epic

Demetrios Matheou

It has been seven years since Gareth Edwards directed, for me, the best of the new generation of Star Wars films, Rogue One. Having made Godzilla before that, it’s nice to see him return with a more personal project, a big, bold, beautiful, if flawed sci-fi epic. 

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The Old Oak review - a searing ode to solidarity

Graham Fuller

Ken Loach has occasionally invested his realist TV dramas and movies with moments of magical realism – football inspiring them in The Golden Vision (1968) and Looking for Eric (2009) – but magical spaces in them are rare. In The Old Oak, as affecting a movie as any the veteran director has made and his 14th with screenwriter Paul Laverty, three sacred spaces (but a single church) work on the characters in vital ways. 

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Surprised by Oxford review - wishy-washy romance ticks the sightseeing boxes

Markie Robson-Scott

The misty streets and lofty spires of Oxford star in this adaptation of Carolyn Weber’s 2011 memoir, Surprised by Oxford, in which she finds God while studying for an MPhil in English literature.

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Strange Way of Life review - Pedro Almodóvar's queer Western

Hugh Barnes

Less is more, except when it isn’t. Among the latest batch of overlong Oscar-tipped movies by celebrated auteurs such as Christopher Nolan (Oppenheimer with a running time of 181 minutes) and Martin Scorsese (Killers of the Flower Moon, 207 mins), it’s a relief to find the iconic Spanish filmmaker Pedro Almodóvar bucking the trend with a 31-minute short that doesn’t test the audience’s mental and physical stamina.

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The Nettle Dress review - a moving story exquisitely told

Sarah Kent

Lasting just over an hour, The Nettle Dress is like a fairy story. It builds very slowly, each beautifully framed shot contributing toward a perfect little gem that tells a moral tale.

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Expend4bles review - last ride for the over-the-hill gang?

Adam Sweeting

Thanks to numerous arguments and disagreements over script, casting etc, nine years have elapsed since Expendables 3 hit the multiplexes, and Sylvester Stallone and his mercenary crew were perilously close to being over the hill even then. In Expend4bles, age has duly withered them even further, a fact wryly acknowledged by director Scott Waugh and his screenwriting squad.

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R.M.N. review - ethnic cleansing in rural Romania

James Saynor

If you think we’ve got culture wars, then welcome to Transylvania. This rugged Romanian region is home to a bewildering overlap of ethnicities and tongues – Hungarian, a bit of German and Romanian itself – such that Cristian Mungiu’s new movie offers subtitles in different colours to get the idea across.

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A Year in a Field review - exemplary eco-doc

Graham Fuller

A shot of a dead field mouse sets the tone for this sobering “slow cinema” documentary, narrator-director Christopher Morris’s response, simultaneously aghast and philosophical, to the looming environmental catastrophe.

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A Haunting in Venice review - a case of Poirot by numbers

Helen Hawkins

You can imagine the thought processes that brought Kenneth Branagh’s latest adventure as Poirot, his third, to the big screen.

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AngelHeaded Hipster: The Songs of Marc Bolan and T Rex review - musical doc falls between two stools

Adam Sweeting

Seeking to be both a documentary and a musical tribute to Marc Bolan, AngelHeaded Hipster doesn’t quite pull it off on either count.

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Bolan's Shoes review - good-natured film about the healing power of a pop idol

Helen Hawkins

Older fans of T Rex will get pleasure from hearing the band’s tracks and reliving some of the buzz of being a dino-rocker, but, despite the title, this isn’t strictly a fan film. Describing what kind of film it is, though, would involve a serious spoiler, which points to its wonky narrative ambitions. It expends a lot of screen time building up to an unsurprising reveal (more on that below).

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