Film Reviews
All of Us Strangers review - a haunting story about the power of love, masterfully toldFriday, 26 January 2024
Andrew Haigh’s films come at you like stealth bombers, presenting everyday scenes in a spare narrative style, and then using them to blitz you with unexpected emotions. His latest is no exception. Read more... |
The End We Start From review - watery apocalyptic drama with star turnFriday, 19 January 2024
The End We Start From couldn’t be more timely, opening in cinemas after weeks of heavy rain and flooding dominated UK news. But the film’s release has also coincided with the ITV police drama After the Flood and it’s too tempting to compare the two. Read more... |
The Holdovers review - a perfectly formed comedy that wears its perfection lightlyFriday, 19 January 2024
Twenty years ago Alexander Payne put Paul Giamatti on the map in Sideways; here he is again, as another punctilious expert, this time not in the field of viniculture but plain old culture, of the old-fashioned classical kind. And his adversary is not a roguish friend but a spiky pupil at the boys’ school in New England where he teaches classics. Read more... |
Werner Herzog: Radical Dreamer review - the visionary director's extraordinary careerFriday, 19 January 2024
“It’s an injustice of nature that I haven’t become an athlete and it’s an injustice of nature that we do not have wings,” says German director Werner Herzog, aged 81, sounding characteristically intense. Read more... |
The Disappearance of Shere Hite review - the rise and fall of a woman who dared to explore female sexualityFriday, 12 January 2024
When it was published in 1976, “The Hite Report” caused such a sensation that it was translated into 19 languages and flew off the shelves in 36 countries to become the 30th best selling book of all time. Yet it’s author, Shere Hite was treated as Public Enemy Number One. Read more... |
The Boys in the Boat review - a Boy’s Own true story told in formulaic styleFriday, 12 January 2024
Seabiscuit, Creed, Rocky, The Full Monty, Chariots of Fire… George Clooney’s latest directorial project is in the same vein as these earlier films, but swap Seabiscuit et al for a rowing eight. Read more... |
Poor Things review - other-worldly adaptation of Alasdair Gray's novelThursday, 11 January 2024
Following their award-scooping collaboration on 2018’s The Favourite, Emma Stone and director Yorgos Lanthimos return with this mind-bending adaptation of Alasdair Gray’s eponymous novel. Also on board is screenwriter Tony McNamara, who wrote (with Deborah Davis) The Favourite’s screenplay. Read more... |
Scala!!! review - a grindhouse cinema remembersMonday, 08 January 2024
This week, the makers of Scala!!! threw a party in what remains of its subject – a notorious, beloved repertory cinema in then sleazy King’s Cross, born 1981, dead 1993, and now a dowdier music venue. Read more... |
Night Swim review - hardly immersive horror flickMonday, 08 January 2024
The water is wild in Night Swim, the weirdly wet horror debut from director Bryce McGuire, in which a backyard bathing pool becomes the locus of all things supernatural. Read more... |
Priscilla review - Bluebeard suede shoesTuesday, 02 January 2024
Sofia Coppola knows a thing or two about teenage girldom. Like many of her other characters – in The Virgin Suicides, Lost in Translation, Somewhere and Marie Antoinette – the subject of her latest film, Priscilla Presley, is an ingenue living in a gilded cage and surrounded by lavish boredom. It hardly matters whether the setting is actually the Park Hyatt Tokyo, Chateau Marmont, the Palace of Versailles – or Graceland, in this case. Read more... |
Tchaikovsky's Wife review - husband materialSunday, 31 December 2023
The movies haven’t been kind to Pyotr Ilyich Tchaikovsky. The Nutcracker Suite was a highlight of Walt Disney’s Fantasia (1940) perhaps, but the 1969 Soviet biopic directed by Igor Talankin was tedious and Ken Russell’s The Music Lovers, released two years later, worse than that. Read more... |
Ferrari review - a steady, slow-lane biopicWednesday, 27 December 2023
Just as Napoleon may be Ridley Scott’s most autobiographical subject, so motor-racing potentate Enzo Ferrari’s mastery of streamlined speed seems made for Michael Mann. But where his best films’ cool control accelerates into calibrated mayhem, Ferrari mostly stays underpowered. Read more... |
Next Goal Wins review - football's lamentablesTuesday, 26 December 2023
For those who ever wonder if soccer scoreboards, or score-line captions on TV, can ever be made to reach three figures, consider the match between AS Adema and SO l’Emyrne, two teams in Madagascar, in 2002. It ended 149-0, but that was only because of an on-field protest. (They were all own goals.) Read more... |
The Boy and the Heron review - elegiac swan song by the Japanese anime masterFriday, 22 December 2023
Admirers of Hayao Miyazaki will find much to love in The Boy and the Heron, which he has said will be his final feature before retiring from film-making at the age of 82. It’s a beautifully crafted piece of work with all the tropes that admirers of Studio Ghibli have come to love over the years. Read more... |
Sweet Sue review - delightfully hopeless BritsFriday, 22 December 2023
You don’t have to be a casting director to know that Britain has a remarkable reservoir of unstarry middle-aged actors who might, just occasionally, get top spot in a movie – Joanna Scanlon in the wondrous After Love (2020) being an excellent example. Now we have Maggie O’Neill, veteran of TV shows like Shameless, Peak Practice and EastEnders, who takes the lead in this equally likeable effort by writer-director Leo Leigh. Read more... |
Every Body review - heartfelt American documentaryFriday, 15 December 2023
This fascinating American documentary tackles the societal and medical treatment of the 1.7% of people born with intersex traits that leave them with sex characteristics (chromosome patterns, genitals, gonads) that aren’t obviously male or female. These people are the ‘I’ in the LGBTQI+ acronym. Read more... |
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