Classical Reviews
The Damnation of Faust, Gergiev, Barbican HallWednesday, 23 September 2009The Damnation of Faust is so chock-full of special effects that you half expect a list of technical advisors in place of the single name Hector Berlioz. But it is just he – wizard of his imaginings – who continues to surprise and even shock no matter how many times you hear the piece - and with Valery Gergiev heightening its neurotic nature all the way to pandemonium there wasn’t a whole lot more you could have asked of this performance, except a better, more complex and interesting... Read more... |
Amsterdam Baroque Orchestra, Wigmore HallMonday, 21 September 2009Andrew Parrott, director of the Taverner Consort, once told me of a time he was playing harpsichord at the back of a largish orchestra. Confident that nothing he played would stand the remotest chance of being heard above the general cacophony, he “rather went to town” in his realisation of the continuo part. Afterwards he was congratulated by numerous audience members sat at the back of the hall on his stylish, if unconventional, interpretation. The sound had gone up into the air and bounced... Read more... |
Gergiev, LSO, BarbicanMonday, 21 September 2009
Is it a bird? Is it a plane? No, it’s Valery Gergiev shimmying his way through Ravel’s Daphnis and Chloe. There he was, London’s loosest-limbed maestro, back on the Barbican podium (just about) with the London Symphony Orchestra, after a summer flogging his chaotic Ring Cycle around the globe, returning to more favourable ground, an all-French programme of Debussy, Dutilleux and Ravel that had his dancing juices flowing and his legs a-leaping. Certainly, there’s no gainsaying his moves. Read more... |
Matthias Goerne, Alexander Schmalcz, Wigmore HallSunday, 20 September 2009
When you go to a Schubert recital, you’re plunged into a whirlpool of emotional ambivalence, heat and chill running together, music and lyrics not always playing the same tune. Read more... |
Handel Remixed 2, BarbicanSunday, 20 September 2009
When I met the Nigerian rebel pop star Fela Kuti I asked him who was the greatest musician - he didn’t hesitate before replying George Frederic Handel. Kuti was wearing only a pair of red underpants at the time and smoking a massive spliff. His music has echoes of Handel, certainly in some keyboard lines, in all its solidity and moments of transcendence. Perhaps I shouldn’t have been surprised at Handel’s continuing reach across the centuries and continents. Beethoven and Mozart are... Read more... |
Handel Remixed, BarbicanSaturday, 19 September 2009Are you allowed to like both Andreas Scholl and David Daniels? I've always felt slightly guilty over this one - it feels somewhat indecent to listen ruthlessly to Scholl for some pieces, and drop him like a spurned lover for Daniels when the mood takes you. Tonight, though, was definitely a Daniels night: bits and bobs from Handel's operas and oratorios, and some modern takes on the great man. It was cabaret-goes-slightly-baroque, with Harry Christophers leading a sparkling Academy of St Martin... Read more... |
Linda di Chamounix, Royal OperaTuesday, 15 September 2009
The hills are alive with the sound of... well, Donizetti, actually. His mature "Melodramma Semiserio" Linda di Chamounix arrived towards the climax of a prolific career in opera and was clearly a late attempt to capitalise on his successes and give his adoring audiences a little of everything and at great length. This season-opener concert performance at the Royal Opera (recorded, incidentally, by Opera Rara...
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A Henry Purcell Birthday Celebration, Wigmore HallMonday, 14 September 2009
What a splendid little ensemble the Purcell Quartet is. The sort of group that you rather hope might reduce in size as the years go on, so that in the end you can put them in your pocket and carry them around with you all the time. If ever an ensemble could provide a soundtrack to the ups and downs of life then this is it. Read more... |
The Last Night of the Proms, Connolly, Balsom, BBCSO, RobertsonSunday, 13 September 2009
The height of naffness? The best of British? A bit of fun? Opinions always splinter over the Last Night of the Proms. The received wisdom is that, if you have a brain or any genuine care for music, you’re not really meant to enjoy the Last Night; you’re meant to endure it, bravely, stoically, heroically, like a terminal illness, by taking each sonic and visual blow on the chin. Read more... |
Prom 74: Vienna Philharmonic, MehtaSaturday, 12 September 2009
One sure (but expensive) way of luring Zubin Mehta to London is to hire the Vienna Philharmonic, too. He and the orchestra go way back to a time when the Indian-born superstar’s smouldering good looks might have suggested Bollywood as a more likely destination than the Vienna Conservatoire. But only the most precociously gifted 20-something conductor offers up Bruckner’s 9th Symphony for his...
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