sat 16/08/2025

Classical Reviews

Holland Panorama, Hoddinott Hall, Cardiff

stephen Walsh

Isn’t it strange how national talent goes by subject? Put on a blockbuster exhibition of Dutch painting and the queue will stretch to the Embankment. But can you imagine a festival of Dutch music? Sweelinck (d 1652) and Andriessen (b 1939) more or less sums it up. The BBC brought together three living Dutch composers for this Portrait concert, and one of them wasn’t after all Dutch (“I’ve kept my Swedish passport,” he insisted rather unchivalrously in the pre-concert interview).

Read more...

Beethoven Cycle, Concert 2: Leipzig Gewandhaus, Chailly, Barbican Hall

David Nice

Of all the Beethoven symphonies the Seventh is the one that can seem to whizz along under its own steam. At any rate, the impression Riccardo Chailly gave last night was of having fine-tuned his sleek Leipzig machine, turning on the engine and letting it fly. Only the extra stops I like to think a great conductor would usually have pulled out remained untouched.

Read more...

Beethoven Cycle, Concert 1: Leipzig Gewandhaus, Chailly, Barbican Hall

Igor Toronyi-Lalic

There are many ways of breathing new life into Beethoven. Carlos Kleiber used to do it through imagery. He once famously asked his Viennese double basses to play like monkeys during a rehearsal of Beethoven's Seventh. Riccardo Chailly's tactic for his Barbican Beethoven cycle with the Leipzig Gewandhaus orchestra appears to have been to become, if not monkeyish, then at least a bit of a mischievous teenager.

Read more...

Dmitri Hvorostovsky, Ivari Ilja, Barbican Hall

David Nice

Tchaikovsky songs, the most obvious missing link in Olga Borodina's all-Russian programme a couple of Fridays back, formed a spare but unforgettable apex to this second recital in the Barbican's Great Performers series. That in itself, and unusual repertoire - Sviridov the other week, Tchaikovsky's rigorous protégé Taneyev last night - gave the sense of a mini-festival in two concerts.

Read more...

Classical CDs Weekly: Schumann, Stravinsky, Xenakis

graham Rickson


Schiff plays SchumannSchumann: Geistervariationen András Schiff (ECM)

Read more...

Classical CDs Weekly: Bach, Schwertsik, Shostakovich

graham Rickson

Bahrami and Chailly play BachBach: Five Keyboard Concertos Ramin Bahrami, Gewandhausorchester, Riccardo Chailly (Decca)

Read more...

Schiff, Baker, Hallé, Elder, Bridgewater Hall, Manchester

philip Radcliffe

The objective: Beethoven’s symphonies. All of them. In numerical order, one after the other. Not only that, but a “powerful” work written in the last century to go with each one. That is Sir Mark Elder’s self-imposed mission for his 12th season with the Hallé. He has described it as the orchestra’s “first Beethoven cycle of the 21st century”. Is that a veiled promise of others to come? Perhaps in another 50 years, which is when the Hallé last tackled the cycle.

Read more...

Les Arts Florissants, Union Chapel

alexandra Coghlan

“They should have trance nights here,” I heard a young man say to his girlfriend as we entered the domed, craggy splendour of Islington’s Union Chapel. Still a working church, this Victorian Gothic monster is an architectural Escher fantasy of arches and angles, its octagonal layout concealing as much as it reveals on first glance.

Read more...

Pacifica Quartet, Wigmore Hall

David Nice

How good it feels, after several decades of Shostakovich quartet series, to be able to say not just “what a tragic life” but also “what ingenious treatment of great ideas, what a range of universal human emotions”. And even, walking on air away from the second concert in the Pacifica Quartet’s Wigmore Shostakovich cycle, “how accepting, how at one with the world”.

Read more...

Andsnes, BBCSO, Bělohlávek, Barbican Hall

David Nice

Pundits have always yoked architecture and Bruckner together, touting void and mass at the expense of the dynamic experience music ought to be. Abbado and his Lucerne Festival Orchestra favoured sinuous instability in the Fifth Symphony earlier this week, making the very foundations gyre and gimble. Relatively solid ground last night was due to a more sober conductor and Bruckner symphony: a mixed blessing.

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Frang, Romaniw, Liverman, LSO, Pappano, Edinburgh Internatio...

Right from the bracing brass fanfare that began this Sea Symphony, you know exactly where you were: right in the midst of the deck, with...

Edinburgh Fringe 2025 reviews: Ordinary Decent Criminal / In...

Ordinary Decent Criminal, Summerhall ...

Edinburgh Fringe 2025 reviews - Emmanuel Sonubi / Joz Norris

Emmanuel Sonubi, Pleasance Courtyard ...

Album: Dinosaur Pile-Up - I've Felt Better

The history of popular music is littered with bands who...

Alien: Earth, Disney+ review - was this interstellar journey...

Ridley Scott’s original Alien movie from 1979 was an all-time sci-fi/horror classic, and even an endless stream of sequels and spin-offs...

Unmoored review - atmospheric Swedish noir set on Exmoor

“When have you ever gone off alone?” scoffs Magnus (Thomas W Gabrielsson) when his wife, Maria (Mirja Turestedt), expresses the wish to go to...

Edinburgh Fringe 2025 reviews: Kinder / Shunga Alert / Clean...

Kinder, Underbelly, Cowgate ★...

Album: Tom Grennan - Everywhere I Went Led Me To Where I Did...

Who’d have guessed that a dude who first came to attention a decade ago guesting on a cheesy Chase & Status drum & bass track would likely...

The Two Gentlemen of Verona, RSC, Stratford review - not qui...

I have two guilty secrets about the theatre – okay, two I’m prepared to own up to right here, right now. I quite enjoy some...