thu 18/09/2025

Classical Reviews

Classical CDs Weekly: Bach, Debussy, Rachmaninov, Stravinsky

graham Rickson

 

Bach: The Well-Tempered Clavier Book 2 Peter Hill (piano) (Delphian)

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Helmchen, London Philharmonic Orchestra, Jurowski, Royal Festival Hall

alexandra Coghlan

Two more contrasting pianists than Yuja Wang and Martin Helmchen would be hard to find. To move within 24 hours from the glittering assault of Wang’s technique to the restrained, almost introverted, Helmchen is an exercise in extremes, and one that left me yearning, Goldilocks-style, for a soloist neither too hot nor too cold, but just right.

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Yuja Wang, Queen Elizabeth Hall

Igor Toronyi-Lalic

Let no one tell you that Chinese pianists can't play with passion. Yuja Wang ran the full gamut of emotions in last night's Queen Elizabeth Hall recital from the tender to the rhapsodic. But mostly she channelled her energies to delivering some of the most colourfully explosive playing I've heard for ages. 

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Tetzlaff, London Symphony Orchestra, Eötvös, Barbican Hall

Geoff Brown

“I don’t want to be a Cyclops,” Pierre Boulez said in 2010, faced with the prospect of conducting a Chicago concert with only one working eye.

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Arvo Pärt Total Immersion, Barbican

peter Quinn

How incredibly heartening that this latest edition of the BBC Symphony Orchestra's Total Immersion, focusing on the music of the contemporary Estonian composer, Arvo Pärt, sold out days in advance.

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Classical CDs Weekly: Medtner, Martin Shaw, Stravinsky

graham Rickson

 

Medtner: Arabesques, Dithyrambs, Elegies and other short piano works Hamish Milne (Hyperion)

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Conlon Nancarrow Weekend, South Bank Centre

Igor Toronyi-Lalic

This has to be the only music festival I've ever been to where two vacuum cleaners were on standby in case the star performer conked out. But that's what happens when your star performer is a player piano - they seem to run on Hoover tubes. With 11 concerts and one film in two days, this celebration of American maverick Conlon Nancarrow was London's alternative marathon. One that was no less eccentric, exhausting or adrenalin-generating (though much less running-based).

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Mitsuko Uchida, Royal Festival Hall

Igor Toronyi-Lalic

Oh boy. More Schubert. Deep breath. I had flashbacks of last month's wall-to-wall Franzi on BBC Radio Three. Nothing's come closer to ending my lifelong love affair with the tubby Austrian than the endless stream of half-finished three-part drinking songs that seemed to become the mainstay of that week-long celebration. Thankfully, last night at the Royal Festival Hall, we weren't getting any old Schubert. We were getting the great final trio of piano sonatas.

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Classical CDs Weekly: Adams, Beethoven, Berg, Debussy, Szymanowski

graham Rickson


John Adams: Harmonielehre, Short Ride in a Fast Machine San Francisco Symphony/Michael Tilson Thomas (SFS Media)

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Currie, LPO, Vänskä, Royal Festival Hall

Geoff Brown

A mischievous part of me firmly believes that from the mountain of dubious art works produced in the world since the 1980s, the most dubious of all have been the percussion concertos. I know I’m being somewhat harsh, for I’ve thrilled along with most audiences to James MacMillan’s Veni, Veni, Emmanuel – far and away the best piece ever premiered by Evelyn Glennie, instigator of this percussion avalanche.

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