sat 19/07/2025

Classical Reviews

Royal Concertgebouw Orchestra, Haitink, Barbican Hall

Igor Toronyi-Lalic

The last night Haitink conducted at the Royal Opera House as musical director the staff wheeled on a moped as a leaving present. Ever since, his conducting has been inextricably linked to that mode of transport in my head. With Haitink, music-making has always seemed to be about getting from A to B in the most dependable, unfussy and often uninspiring way possible. For years, I haven't been able to see the point of him at all.

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Classical CDs Weekly: Beethoven, Bruckner, Poulenc, Shostakovich

graham Rickson

 

Bruckner: Symphony No 9 (with Finale completed by Samale-Phillips-Cohrs-Mazzuca) Berliner Philharmoniker/Sir Simon Rattle(EMI)

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Jóhann Jóhannsson, Hauschka, Dustin O'Halloran, Barbican

joe Muggs

“Post-classical” the FatCat label call it, and well they might. All three of the acts who played at the Barbican last night in one way or another used the instrumentation of the classical concert hall but in a way that was completely dislodged from tradition – not raging against it, nor fighting to escape it in the sense of high modernism, nor reviving it, but rather looking back on it as something other, something of a different era.

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Royal Concertgebouw Orchestra, Jansons, Barbican Hall

Geoff Brown

I half expected to hear someone on the platform call out “Is there a doctor in the house?” For Mariss Jansons, principal conductor of the Royal Concertgebouw Orchestra, and esteemed beyond measure, didn’t look well during this concert, the second in the orchestra’s current Barbican residency. Drained from his exertions during Strauss’s Also sprach Zarathustra, he left the platform weary and grey. The following interval was seriously extended.

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Brigham Young University Singers, St John's Smith Square

alexandra Coghlan

Brigham Young University in Utah is the largest private university in America, and is probably best known for its affiliation with The Church of Jesus Christ of Latter-day Saints, AKA the Mormons. What’s less commonly known is that the university also has a choir (four different choirs, in fact) that is among the finest collegiate ensembles in the US.

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Classical CDs Weekly: Bruckner, Mahler, Pärt

graham Rickson


Bruckner: Symphony no 5 Lucerne Festival Orchestra/Claudio Abbado (Accentus DVD)

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Einstein on the Beach, Barbican Theatre

Igor Toronyi-Lalic

Einstein on the Beach was meant to be one of the jewels in the crown for the Cultural Olympiad. The celebrated 1970s collaboration between Philip Glass, Robert Wilson and Lucinda Childs - which Susan Sontag claimed to be one of the greatest theatrical experiences of the 20th century - was receiving its UK premiere at the Barbican Theatre last night, thirty-six years after it was first created. And what we got was a technical shambles.

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Classical CDs Weekly: Bach, Debussy, Rachmaninov, Stravinsky

graham Rickson

 

Bach: The Well-Tempered Clavier Book 2 Peter Hill (piano) (Delphian)

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Helmchen, London Philharmonic Orchestra, Jurowski, Royal Festival Hall

alexandra Coghlan

Two more contrasting pianists than Yuja Wang and Martin Helmchen would be hard to find. To move within 24 hours from the glittering assault of Wang’s technique to the restrained, almost introverted, Helmchen is an exercise in extremes, and one that left me yearning, Goldilocks-style, for a soloist neither too hot nor too cold, but just right.

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Yuja Wang, Queen Elizabeth Hall

Igor Toronyi-Lalic

Let no one tell you that Chinese pianists can't play with passion. Yuja Wang ran the full gamut of emotions in last night's Queen Elizabeth Hall recital from the tender to the rhapsodic. But mostly she channelled her energies to delivering some of the most colourfully explosive playing I've heard for ages. 

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