mon 18/08/2025

Classical Reviews

BBC Proms: São Paulo Symphony Orchestra, Alsop

alexandra Coghlan

It may be the power of suggestion, but there was distinctly laid-back vibe at the packed Royal Albert Hall last night. Clapping between movements (and this was an audience never knowingly under-clapped) wasn’t greeted by the any of the usual hisses, and when a latecomer clattered down the entire length of stalls steps before the Largo of Dvořák’s Symphony No 9 she drew only the most indulgent of laughter.

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BBC Proms: National Youth Wind Orchestra and Brass Band/BBCSO, Saraste

Daniel Ross

Shamefully, the Albert Hall was just over half full for this impeccably programmed celebration of that most "youth" of ensemble types, the Wind Orchestra and Brass Band.

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BBC Proms: BBC National Orchestra of Wales, Fischer

Daniel Ross

On the one hand, having a massed brass and percussion section (I counted 16 timpani) in front of three massed choirs lent this evening an air of fantastic anticipation. Boom and crash and honk: that’s what we wanted. On the other hand, it was immediately a measure against which anything less than deafening volume would be harshly judged. All reminders of the potential clout were constantly there, embodied by bored-looking trombonists counting their hundred bars’ rest.

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BBC Proms: Hodges, Bickley, Daniel, Britten Sinfonia, Rundell

Geoff Brown

A motley crowd at Cadogan Hall on Saturday afternoon: new music aficionados and interested parties; general music lovers; some passing trade; tourists; one dad with a young boy of six or seven. Heaven knows what the latter made of the dissonances, dislocations and heated laments summoned forth by the intrepid performers in this invigorating concert, dominated by the creations of some of the more challenging composers among contemporary Brits.

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BBC Proms: The Apostles

alexandra Coghlan

The first panel in a would-be triptych, Elgar’s The Apostles is also something of a prototype – the musical experiment whose risks would culminate so strikingly in The Kingdom. Tackling the crucifixion from “the poor man’s point of view”, its occluded, obscured vision of events has atmosphere in abundance but a distinct lack of dramatic focus.

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Classical CDs Weekly: Messiaen, Saint-Saëns, Meraner Curmusik

graham Rickson

 

Messiaen: Turangalîla-Symphonie Steven Osborne (piano), Cynthia Millar (ondes martenot), Bergen Philharmonic Orchestra/Juanjo Mena (Hyperion)

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BBC Proms: A Celebration of Ivor Novello

alexandra Coghlan

Each year I wonder, as the hit-makers and Radio 1 darlings flock to the Ivor Novello Awards, how many spare a thought for that greatest of melodists, who lends his name to their accolades? Precious few, I suspect.

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BBC Proms: Bernstein - Mass

alexandra Coghlan

Why so many empty seats at last night’s Prom? Bringing together several choruses, a percussion-augmented orchestra, dancers, actors, rock-band and children’s choir, Leonard Bernstein’s Mass is surely a Proms dream – a genuinely eclectic work with something for just about everybody. But even as some 11 different Welsh ensembles sung, jived, clapped and shouted for our entertainment yesterday, there was no getting away from the issues with Bernstein’s ageing, mongrel score.

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Classical CDs Weekly: Elgar, Goebbels, Baiba Skride

graham Rickson

 

Elgar: Enigma Variations, Cockaigne Overture, Pomp and Circumstance Marches 1-5 Royal Philharmonic Orchestra/Barry Wordsworth (RPO)

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BBC Proms: The English Concert and Choir, Bicket

Charlotte Gardner

What better work for Harry Bicket and The English Concert to perform at the Proms than Bach's joyous Mass in B Minor. Joyous firstly because of the music itself, with its vast stylistic and emotional range. Joyous secondly because, despite the intense scholarship to which Bach and his music have been subjected over the years, its genesis remains unusually shrouded in mystery for such a major work.

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