Classical Reviews
Façade/Eight Songs for a Mad King, Grimeborn Opera, Arcola TheatreFriday, 05 September 2014
Walton’s Façade is not performed very often in London, but this weekend there is the opportunity to hear it four days in a row: on Monday at a chamber Prom, but before that in this enterprising staging, paired with Peter Maxwell Davies’ Eight Songs for a Mad King. Read more... |
Prom 63: McAllister, BBCSO, AlsopFriday, 05 September 2014
Conductor Marin Alsop was welcomed like Britannia herself at last night’s concert, an astute partnership of John Adams’ vivacious hybridism and Gustav Mahler’s colourful patchwork quilt of a symphony. Read more... |
Proms Chamber Music 7: Benjamin Grosvenor/Prom 60: Driver, RPO, DutoitTuesday, 02 September 2014
After the enervating excesses of Salome and Elektra at the weekend, the abundance of notes at the Proms continued in a piano recital and an orchestral showstopper, but this time with built-in air conditioning. After all, both 22-year-old Benjamin Grosvenor and septuagenarian Charles Dutoit are absolutely in control of the colours they make, very occasionally too much so. Read more... |
BBC Scottish Symphony Orchestra, Volkov, Usher Hall, EdinburghSunday, 31 August 2014
It is the fate of Edinburgh Festival directors to programme their music in the considerable shadow cast by the Proms in London. The undeniable economics of large scale touring means that few orchestras will visit Edinburgh alone, so to attract all-important critical attention the Festival must somehow manipulate a limited touring repertoire to create a unique Scottish event. Read more... |
Prom 53: Brahms Symphonies, Budapest Festival Orchestra, FischerWednesday, 27 August 2014
About 10 minutes into the Brahms Third Symphony I wanted to check a name in the Budapest Festival Orchestra’s programme. I dared to turn a page. Bad idea. Such preternatural stillness had settled over the sold-out Royal Albert Hall that the gesture could probably have been spotted from the balcony. Read more... |
Prom 52: Budapest Festival Orchestra, FischerTuesday, 26 August 2014
The first of this year's two Proms by the Budapest Festival Orchestra had looked like a rather strange confection, on paper at least. With eleven scheduled contributions, and only two of them destined to make it into double figures, its timings had even given it a passing resemblance to a short but eventful cricket innings (there were also three unprogrammed extra items, but more of those later). Read more... |
Prom 50: Weilerstein, Czech Philharmonic Orchestra, BělohlávekMonday, 25 August 2014
Even as orchestras began to sound more and more alike, there was the Czech Philharmonic. And many of its notable characteristics remain to this day: a modest, homespun quality, warm and engaging and full of bright-eyed distinction in the woodwinds. Read more... |
Prom 47: Britten War Requiem, CBSO, BBC Proms Youth Choir, NelsonsFriday, 22 August 2014
Nothing has resonated through the unfolding First World War commemorations more than the poetry of Wilfred Owen; and in terms of its grim immediacy and enduring heartbreak nothing ever could. Benjamin Britten knew that when he set down his War Requiem for posterity, counterpointing religious posturing with Owen’s indisputable truths. Read more... |
Wall, Mørk, Melbourne Symphony Orchestra, Davis, Usher Hall, EdinburghFriday, 22 August 2014
The Melbourne Symphony Orchestra’s Edinburgh Festival debut was the most telling example yet of the 2014 festival’s disregard for conventional concert programming. A programme that began with Strauss’ Don Juan and Four Last Songs could easily have settled into a comfortable evening of large scale late romantics, but instead turned on its heel to dip into Schumann’s Cello Concerto before concluding with Percy Grainger’s riotous The Warriors. Read more... |
Prom 46: West-Eastern Divan Orchestra, BarenboimThursday, 21 August 2014
By the time we got to the end of this Prom, with four of the five encores – the whole of Bizet’s Carmen Suite – cannily crafted to bolster the short official programme, most of the rightly euphoric audience had forgotten the most unsatisfying first half so far this season. Perhaps I start from an ungenerous standpoint. Read more... |
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