sat 27/09/2025

Classical Reviews

Ibragimova, SCO, Krivine, Usher Hall, Edinburgh

David Kettle

It was to have been the culmination of principal conductor Robin Ticciati’s Brahms symphony cycle with the Scottish Chamber Orchestra. But with Ticciati laid up with a herniated disc, we’re told, it fell to the SCO’s principal guest conductor Emmanuel Krivine to step in at the last minute. What Ticciati would have made of the concert, and of the concluding Brahms Fourth, of course, we’ll never know – and it would be churlish to speculate.

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Vassallo, CBSO, Chauhan, Symphony Hall Birmingham

Richard Bratby

Funny thing, musical fashion. Most listeners would call Borodin’s Polovtsian Dances a popular classic – yet before tonight, I doubt they’d had a professional performance in Birmingham this century. Then there’s the case of Osvaldo Golijov. Remember him?

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Andsnes and Friends 2, Dulwich Picture Gallery

Gavin Dixon

Nature, nationalism, folk culture: the broad themes of Norway’s visual arts map easily onto its music. That has given Leif Ove Andsnes and his colleagues plenty of leeway in planning their musical tributes to the painter Nikolai Astrup.

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Andsnes and Friends at the Astrup Exhibition, Dulwich Picture Gallery

David Nice

It's rare that a sponsor does more than stump up the money for culture and sometimes request a mention in a review (usually ignored).

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Classical CDs Weekly: Chagrin, Dukas, Mozart

graham Rickson

 


Francis Chagrin: Symphonies 1 and 2 BBC Symphony Orchestra/Martyn Brabbins (Naxos)

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Williams, Janiczek, Scottish Chamber Orchestra, Queen's Hall, Edinburgh

David Kettle

Just a few days earlier, the Scottish Chamber Orchestra had been doing a pretty convincing impression of a symphony orchestra in a powerful Vaughan Williams Fifth Symphony under John Storgårds. And here they were, in crisp, nimble Mozart and Beethoven, being a thoroughly convincing period band – well, with valveless horns, at least. They’re nothing if not versatile.

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Kelemen, BBCSO, Wigglesworth, Barbican

Geoff Brown

In the deep recesses of my brain lies a distant memory of an early lesson in musical appreciation in primary school. Excerpts from Beethoven’s "Pastoral" Symphony were being played. The teacher asked us what images came to mind. The answers came fairly quickly, prodded by the music’s title: a babbling brook, a thunderstorm, twittering birds. I was on my way.

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Giltburg, RSNO, Prieto, Usher Hall, Edinburgh

Christopher Lambton

To a freezing grey night in Scotland’s capital, the conductor Carlos Miguel Prieto brought a welcome ray of Mexican sunshine. Wearing a broad grin he marched onto the platform of the Usher Hall and launched into Rodion Shchedrin’s impish Concerto for Orchestra No.1, Naughty Limericks, with the Royal Scottish National Orchestra.

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Classical CDs Weekly: Louis Aubert, Schubert, Claudio Abbado

graham Rickson


Louis Aubert: Sillages, Violin Sonata etc Jean-Pierre Armengard (piano), Alessandro Fagiuoli (violin), Olivier Chauzu (piano) (Grand Piano)

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Vengerov, Saitkoulov, Barbican Hall

Sebastian Scotney

In 2007 Maxim Vengerov had to withdraw completely from violin playing, and stayed away for four years. He had suffered the after effects of a weight-lifting injury to his shoulder, and needed surgery. But he also described at the time that he felt he needed to re-learn the instrument.

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