fri 27/06/2025

Classical Features

theartsdesk at the East Neuk Festival: Littoral Schubertiad

David Nice

Schubert played and sung through a long summer day by the water: what could be more enchanting? The prospect did not take into account the pain in that all too short-lived genius’s late work: when interpreted by a world-class trio, quartet and pianists at the 10th East Neuk Festival, it could be exhausting.

Read more...

Lorin Maazel (1930-2014) on Puccini's Golden Girl

David Nice

I met one of the 20th century’s most impressive, if not always sympathetic, conductors twice, on both occasions to talk Puccini before La Scala recordings of La fanciulla del West (The Girl of the Golden West) and Manon Lescaut.

Read more...

theartsdesk in Setúbal: Youth and music under the jacarandas

David Nice

José Mourinho is Setúbal’s most famous son. Non-Portuguese readers are not expected to know the two other celebrities most feted by this extraordinary port city on the estuary of the River Sado, with miles of sandy beaches opposite where a school of dolphins resides and the lush national park of the Arrábida mountain range just to the west.

Read more...

Extracts: John Tusa - Pain in the Arts

Ismene Brown

In the midst of ferment as the arts world faces fast-shrinking public subsidy, Sir John Tusa, former managing director of the BBC World Service and the Barbican Arts Centre, publishes this week a brisk new book that urges arts and politicians to reject the emotive clichés and lazy token battles and focus on what matters. In Pain in the Arts, Tusa urges that both sides take personal responsibility for an essential part of human life.

Read more...

theartsdesk in Dresden and Berlin: Happy Birthday, Richard Strauss

David Nice

Richard Strauss was born in Munich 150 years ago today. Christian Thielemann is celebrating the fact by conducting the Staatskapelle Dresden in the juiciest of all-Strauss operatic potpourris, a festive concert to be held in the city’s glorious Semperoper. What wouldn’t I give to hear Anja Harteros, alongside Anne Schwanewilms the loveliest of Strauss sopranos, and chaste nymph Daphne’s metamorphosis into a laurel in a peerless operatic epilogue?

Read more...

theartsdesk Q&A: Conductor Robin Ticciati

David Nice

Poised when I met him six weeks ago between 40th anniversary celebrations of  the Scottish Chamber Orchestra, of which he has been a shaping chief conductor for the past five years  and putting his new music directorship of Glyndebourne into action, Robin Ticciati hardly seemed like a man in positions of power, more an idealistic youth with a touch of the dreamer softening a powerful intellect.

Read more...

Unfinished business: completing Mozart

Roger Montgomery

Horn concertos don't make frequent appearances in the standard concert repertory and when they do it will usually be a work by Mozart or Richard Strauss. It wouldn't be entirely true to say that horn players feel keenly the lack of a serious core of works such as that available to pianists, string players and singers.

Read more...

RE:naissance: Festival under the influence

Matthew Sharp

Shakespeare's ubiquitous “planetary influence” is well-documented. As Stephen Marche points out in How Shakespeare Changed Everything, not much from our sex lives to the assassination of Lincoln remains untouched. And, of course, there's the language. You may think that what you are reading has more rhyme than reason, be madness (though there is method in it) or amount to nothing more than a wild goose chase.

Read more...

theartsdesk in Basel: More than Minimalism

David Nice

In a near-perfect, outward-looking Swiss city sharing borders with France and Germany, on a series of cloudless April days that felt more like balmy June than capricious April, anything seemed possible.

Read more...

theartsdesk in Reykjavík: Bright Nights, Dark Music Days

David Nice

Nature declined to reveal the Northern Lights over a long winter weekend in Iceland. My hotel was geared up to the spectacle, offering the option of a phone call any time in the night should they appear; but no call came. I only hope the tourists who packed the outward-bound plane hadn’t booked just for that.

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Alfred Brendel 1931-2025 - a personal tribute

Alfred Brendel’s death earlier this month came as a shock, but it wasn’t unexpected. His health had gradually deteriorated over the last year or...

Chicken Town review - sluggish rural comedy with few laughs...

Fans of the character comedian Graham Fellows will possibly turn up for this British film starring the man who created the punk parody...

Album: Lorde - Virgin

Lorde’s trajectory is continually fascinating. From the minimalist, sparse electropop of Pure Heroine to the similar but more grandiose...

Aldeburgh Festival, Weekend 2 review - nine premieres, three...

Actually it was a Thursday evening to Saturday experience, but what riches in seven concerts. The only Britten I heard was one of the S...

F1: The Movie review - Brad Pitt rolls back the years as mav...

As producer Jerry Bruckheimer cautioned a preview audience, “Remember, this is not a documentary. It’s a movie.” Bruckheimer teamed up with...

Bleak landscapes and banjos: composer Bernard Hughes discus...

Composer Bernard Hughes first met director Richard Bracewell when working on the film Bill, a 2015 Horrible Histories take on...

Album: Bruce Springsteen - Tracks II: The Lost Albums

It’s somewhat surprising to read that The Boss wasn’t happy with Born in the USA. After all, it was –...

Brad Mehldau Trio, St George's Bristol review - exquisi...

There's something luminous about the Brad Mehldau Trio. The music they create with such joy shines with a special clarity, in which ever-changing...

Dangerous Matter, RNCM, Manchester review - opera meets scie...

Opera can take many forms and fulfil many purposes: this chamber opera by Zakiya Leeming and Sam Redway is about vaccination. Based on history, it...