Classical Features

Jaap van Zweden: ‘A great orchestra needs to be a chameleon’

Gavin Dixon Sunday, 13 December 2015

Jaap van Zweden is going places. At 55, he is already 16 years into a second high-profile musical career. His first, as a violinist, saw him appointed leader of the Concertgebouw, the youngest ever to hold the position. From there, he moved to the conductor’s podium, and is now Music Director of the Dallas Symphony and the Hong Kong Philharmonic. According to some rumours, he is also under serious consideration for the New York Philharmonic.

Farewell to Stravinsky's right-hand man

David Nice Sunday, 15 November 2015

Missionary angel or twelve-tone devil? Musical figures like Poulenc, perhaps too much attached to the diabolical element in Thomas Mann’s Doktor Faustus, were inclined to see the incursion of Robert Craft into Stravinsky’s Hollywood life in 1948 in demonic terms.

First Person: 'We Have Found a Better Land'

Mark Bowden Monday, 02 November 2015

"Helo, ti yw Mark?" A friendly-looking woman on the tiny plane asks me my name. She is a teacher from a Welsh-speaking school in Patagonia, Ysgol yr Hendre, escorting her pupils home from a trip to Cardiff. "I was told to look out for you on the plane. Come and sit with us!" she continues.

Comment

theartsdesk Q&A: Pianist Stephen Kovacevich

David Nice Sunday, 18 October 2015

“Whatever happened to Stephen Bishop?” is not a question likely to be asked by followers of legendary pianism. Born in San Pedro, Los Angeles on 17 October 1940, the young talent took his stepfather’s name as his career was launched at the age of 11. Later he honoured his own father’s Croatian "Kovacevich", by appending it to the “Bishop”.

Comment

theartsdesk at the Music@Malling Festival

David Nice Thursday, 01 October 2015

One of the summer’s greatest pleasures has been to confirm an often untested truism: that you may hear some of the finest and rarest music-making in out-of-the-way places.

theartsdesk at the Lammermuir Festival

David Kettle Monday, 21 September 2015

It’s hard to believe that East Lothian’s Lammermuir Festival has only been around for six years. In that short time, it’s become a cherished fixture in Scotland’s musical calendar. For regular concert-goers, it’s a calmer antidote to the August festival mayhem of Edinburgh, just half an hour away, and just a couple of weeks after the capital’s wall-to-wall chaos ends.

Sir David Willcocks (1919-2015)

theartsdesk Saturday, 19 September 2015

Even if you never saw him conduct, you may well have sung one of Sir David Willcocks's carol arrangements. I remember the unnatural excitement in our church choir when the orange-jacketed Carols for Choirs 2 arrived on the scene, enhancing our repertoire with some especially juicy settings. Sir David Willcocks, who died on Thursday at the grand old age of 95, was steeped in the British choral tradition; for many, he was its heart and soul.

'We have a duty to all children to share our rich artistic history'

Sarah Connolly Wednesday, 16 September 2015

Two hundred and 74 years ago today, on 14 September 1741, Georg Friedrich Handel completed the first edition of his legendary oratorio, Messiah. It is a work associated with children’s charity, and thanks to a royal charter granted to philanthropist Thomas Coram’s Foundling Hospital in Bloomsbury, Handel raised awareness and money for the orphans with performances every year for decades.

10 Questions for Conductor Laurence Equilbey

David Nice Wednesday, 16 September 2015

It’s a sunny afternoon at altitude – 1,082 metres, to be precise – in the precincts of France’s highest historic building, the austerely impressive early Gothic Abbey-Church of St-Robert, La Chaise-Dieu.

theartsdesk in Lahti: Sibelius 150, Sibelius Hall

David Nice Sunday, 13 September 2015

When Lahti’s Sibelius Hall finally shone and coruscated into life in 2000, the 100,000 citizens of this modest Finnish town, not to mention acousticians from all over the world, could hardly believe their eyes and ears. Here, at last, was not only a top concert hall fit for what had already become a world-class orchestra under notable Sibelian Osmo Vänskä, but also a twofold architectural wonder.