sat 20/04/2024

book reviews and features

Adam Macqueen: The Lies of the Land review - light, but enlightening

Liz Thomson

We are now firmly in the post-truth era as defined by Oxford Dictionaries: "adjective - relating to or denoting circumstances in which objective facts are less influential in shaping...

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Robert Harris: Munich review - reselling Hitler

Jasper Rees

Robert Harris’s first book about Hitler told the story of the hoax diaries which seduced Rupert Murdoch and Hugh Trevor-Roper. After Selling Hitler (1986) came Fatherland (1992...

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John le Carré: A Legacy of Spies review - the master in twilight mood

Marina Vaizey

Over his long career – 23 novels, memoirs, his painfully believable narratives adapted into extraordinary films (10 for the big screen) and for television – John le Carré has created a world that...

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Extract: Peter Brook - Tip of the Tongue: Reflections on Language and Meaning

Peter Brook

A long time ago when I was very young, a voice hidden deep within me whispered, "Don’t take anything for granted. Go and see for yourself." This little nagging murmur has led me to so...

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Sigrid Rausing: Mayhem review - you want it darker?

Sebastian Scotney

There is fictional Nordic noir. And then there is this, the real thing. Subject matter really couldn’t be much darker than that of Mayhem: A Memoir in which publisher,...

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Val McDermid: Insidious Intent review - dark and expert crime writing

Marina Vaizey

Val McDermid has written close on 30 award-winning thrillers and suspense novels, in four series, since...

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Omar Robert Hamilton: The City Always Wins review - Egypt's revolution, up close and personal

Boyd Tonkin

A few days ago we learned that British taxpayers have unwittingly donated around £1m. in aid to the police and court systems of Egypt’s military dictatorship, via an opaque “Conflict, Stability...

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Fred Vargas: The Accordionist review - intriguing Gallic sleuthing yarn

Marina Vaizey

The two haunting series of crime ...

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James Hamilton: Gainsborough - A Portrait review - an artistic life told with verve and enthusiasm

Marina Vaizey

James Hamilton’s wholly absorbing biography is very different from the usual kind of...

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Jason Webster: Fatal Sunset review - more flavoursome crime in Valencia

Liz Thomson

The sixth in a series of crime...

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London Tide, National Theatre review - haunting moody river...

“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the art of its writer, then surely it is this...

Jonathan Pie, Duke of York's Theatre review - spoof pol...

If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto...

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Richard Gadd won an Edinburgh Comedy Award in 2016 with...

Machinal, The Old Vic review - note-perfect pity and terror

Virtuosity and a wildly beating heart are compatible in Richard Jones’s finely calibrated production of Renaissance woman Sophie Treadwell’s ...

Fantastic Machine review - photography's story from one...

The first photograph was taken nearly 200 years ago in France by Joseph Niépce, and the first picture of a person was taken in Paris by Louis...

Simon Boccanegra, Hallé, Elder, Bridgewater Hall, Manchester...

If ever more evidence were needed of Sir Mark Elder’s untiring zest for exploration and love of the thrill of live opera performance, it was this...

All You Need Is Death review - a future folk horror classic

Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...

Album: Jonny Drop • Andrew Ashong - The Puzzle Dust

As I sat down to write this review, the sun came out. It was a salutory reminder of the importance of context: where I’d previously thought “mmm,...

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Record Store Day is tomorrow! At theartsdesk on Vinyl...

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Teenage Ulzii (Battsooj Uurtsaikh in an elegantly restrained performance) is looking after his little sister and brother in Ulaanbaatar after...

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