fri 29/03/2024

book reviews and features

Richard F Thomas: Why Dylan Matters review - tangled up in clues

Liz Thomson

A year ago, Bob Dylan was awarded the Nobel Prize for Literature, his work commended by the committee "...

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Han Kang: The White Book review - between what is, what was, what might have been

Katherine Waters

A woman gives birth alone two months early in a frost-bound village in the Korean countryside. In Poland, a solitary woman washes down white migraine pills and concludes she must write. The child...

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Oliver Sacks: The River of Consciousness review - a luminous final collection of essays

Marina Vaizey

Oliver Sacks was the neurologist – and historian of science, and naturalist – whose exceptionally elegant, clear and accessible prose has captivated that almost mythical creature, the general...

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Susie Boyt: Love & Fame review - as highly strung as a violin factory

Markie Robson-Scott

At first glance, Susie Boyt’s sixth novel seems in danger of echoing her...

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Marcel Proust: Letters to the Lady Upstairs - a very slim volume

Sebastian Scotney

Marcel Proust was a prolific letter-writer. He wrote tens of thousands of them, and at speed, as can be seen from the two facsimiles which are included with the text of Letters to the Lady...

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Philip Pullman: La Belle Sauvage review - not quite equal

Katherine Waters

La Belle Sauvage, the first instalment of Philip Pullman’s eagerly-awaited new trilogy The Book of Dust, opens in the Trout, a rambling Thames-side pub on the outskirts of Port...

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Peggy Seeger: First Time Ever - A Memoir, review - a remarkable life

Liz Thomson

Seeger. A name to strike sparks with almost anyone, whether or not they have an interest in folk music...

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Niall Ferguson: The Square and the Tower review - of groups and power

Marina Vaizey

The controversial historian Niall Ferguson is the author of some dozen books, including substantial...

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Alan Hollinghurst: The Sparsholt Affair - pictures at an exhibition, with telling gaps

David Nice

Television has paid its dues to the 50th anniversary of the Sexual Offences Act - rather feebly, with some rotten acting, in Man in an Orange Shirt; brilliantly, with mostly superb...

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Henning Mankell: After the Fire review - of death and redemption

Marina Vaizey

The dour, reclusive disgraced doctor Fredrik Welin has appeared once before in Henning Mankell’s work, in The...

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Bach's Easter Oratorio, OAE, Whelan, QEH review – the j...

Waiting, and hoping, may prove just as intense an experience as the fulfilment of a wish – or of a fear. Bach knew that, and infused his Easter...

Album: Jane Weaver - Love In Constant Spectacle

“Motif,” Love In Constant Spectacle’s fourth track, is the closest Jane Weaver has come in over a decade to the folk influences embraced...

First Person: author-turned-actor Lydia Higman on a play tha...

I first read Anne Gunter’s story about five years ago, when I was in my first year of university at Oxford, little knowing it would over time lead...

The Origin of Evil review - Laure Calamy stars in gripping F...

A young woman (Laure Calamy; Call my Agent!; Full Time; Her Way) is trying to pluck up the courage to call her...

Foam, Finborough Theatre review - fascism and f*cking in a G...

In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet...

Album: Ride - Interplay

What a time to be alive it is for fans of late Eighties, early Nineties ...

Schubert Piano Sonatas 4, Paul Lewis, Wigmore Hall review -...

“Death doesn’t scare me at all,” said my friend Christopher Hitchens during our last telephone conversation. “After all, it’s the only certainty...

Vossa Jazz 2024 review - Norwegian festival embraces William...

“The name of this group is Mayan Space Station.” In spite of the billing as The William Parker Trio, their bassist – coolly introducing himself as...

First person: playwright Paul Grellong on keeping pace with...

I’m writing this in the lobby of the...

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