fri 29/03/2024

graham rickson

Bio
Graham, who writes on classical music, lives in Leeds.

Articles By Graham Rickson

Classical CDs Weekly: Nicola Benedetti, Liszt, Thierry Pécou

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Classical CDs Weekly: Beethoven, Morton Feldman, Nielsen

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The Makropulos Case, Opera North

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Faust, Opera North

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Classical CDs Weekly: Bach, Richard Rodney Bennett, Sibelius

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DVD: Benjamin Britten and His Festival

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Classical CDs Weekly: MacMillan, Mendelssohn, Stephen Hough

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Classical CDs Weekly: Frank Bridge, Benjamin Grosvenor, Tchaikovsky

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Classical CDs Weekly: William Barton, William Lawes, Bernard Weinstock

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The Leeds International Piano Competition finals, Leeds Town Hall

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Classical CDs Weekly: Cage, Sibelius, Stravinsky, Smaro Gregoriadou

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Classical CDs Weekly: Gershwin, William Berger, JACK Quartet

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Classical CDs Weekly: Gál, Schumann, Shostakovich, Tiomkin

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The Hitchcock Players: Hume Cronyn, Shadow of a Doubt

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Classical CDs Weekly: Dubois, Sam Hayden, Liszt

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Classical CDs Weekly: Berlioz, Humperdinck, L'Olimpiade

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Pages

latest in today

MJ the Musical, Prince Edward Theatre review - glitzy jukebo...

In a secret chamber somewhere, the producers of ...

Annie Jacobsen: Nuclear War: A Scenario review - on the inco...

"[A]n unimaginably beautiful day": this was how Kikue Shiota described the morning of the 6th of August, 1945, in Hiroshima. The day was soon to...

The Dream of a Ridiculous Man, Marylebone Theatre review - f...

Like all great literature, Fyodor Dostoevsky’s final, eccentric, playfully wondrous short story seems to have been written just for us – across...

Bach's Easter Oratorio, OAE, Whelan, QEH review - the j...

Waiting, and hoping, may prove just as intense an experience as the fulfilment of a wish – or of a fear. Bach knew that, and infused his Easter...

Album: Jane Weaver - Love In Constant Spectacle

“Motif,” Love In Constant Spectacle’s fourth track, is the closest Jane Weaver has come in over a decade to the folk influences embraced...

First Person: author-turned-actor Lydia Higman on a play tha...

I first read Anne Gunter’s story about five years ago, when I was in my first year of university at Oxford, little knowing it would over time lead...

The Origin of Evil review - Laure Calamy stars in gripping F...

A young woman (Laure Calamy; Call my Agent!; Full Time; Her Way) is trying to pluck up the courage to call her...

Foam, Finborough Theatre review - fascism and f*cking in a G...

In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet...

Album: Ride - Interplay

What a time to be alive it is for fans of late Eighties, early Nineties ...