thu 03/07/2025

graham rickson

Bio
Graham, who writes on classical music, lives in Leeds.

Articles By Graham Rickson

Classical CDs Weekly: Copland, Henry Mancini, Schumann

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Classical CDs Weekly: Louis Andriessen, Mozart, Andrzej and Roxanna Panufnik

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DVD: Starred Up

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Classical CDs Weekly: Grundman, Messiaen, Aki Kuroda

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Classical CDs Weekly: Dutilleux, Rimsky-Korsakov, Roger Woodward

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Classical CDs Weekly: Dvořák, Haydn, Janáček, Thomas Larcher

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Classical CDs Weekly: Hartmann, Mahler, Vaughan Williams

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Classical CDs Weekly: Per Nørgård, Stephen Hough, The Society of Strange and Ancient Instruments

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Classical CDs Weekly: Turina, Rorem, Rhos Male Voice Choir

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Classical CDs Weekly: Birtwistle, Shostakovich, ZOFO

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Classical CDs Weekly: Brahms, Elgar, Tobias Hume

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Götterdämmerung, Opera North

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Classical CDs Weekly: Bernstein, Donizetti, Stravinsky

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Classical CDs Weekly: Khachaturian, Shostakovich, Walton, Roman Mints

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Classical CDs Weekly: John Adams, Brahms, Mendelssohn, Malcolm Williamson

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Classical CDs Weekly: Britten, Debussy, Schumann, Weinberg

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Jurassic World Rebirth review - prehistoric franchise gets a...

The first Jurassic Park movie now seems virtually Jurassic itself, having been released in the sepia-tinged year of 1993. Directed with...

Album: Mocky - Music Will Explain (Choir Music Vol. 1)

Dominic “Mocky” Salole has had a long career in which the tension between authenticity and pastiche has been a constant. Toronto-born, of English...

Semele, Royal Opera review - unholy smoke

Poor, slightly silly Semele fries at the sight of lover Jupiter casting off his mortal form, but in Congreve’s and Handel’s supposedly happy...

Sudan, Remember Us review - the revolution will be memorised

In 2019, French-Tunisian journalist and documentary filmmaker Hind Meddeb flew to Sudan after the overthrow of hated dictator Omar al-Bashir,...

Le nozze di Figaro, Glyndebourne review - perceptive humanit...

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...

Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...