tue 01/07/2025

tv

Leonard Cohen: Bird on a Wire, BBC Four

graeme Thomson

The renaissance enjoyed by Leonard Cohen over the past few years is not only thoroughly welcome and entirely justified, but also partly a testament to the strange and powerful alchemy that sometimes occurs when the defiantly high-brow is swallowed whole by popular culture.

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Lip Service: Series Finale, BBC Three

Veronica Lee

When The L Word, an American drama series following the interconnected lives of a group of lesbians in Los Angeles, first aired in 2004, much of the acres of coverage it attracted made disbelieving mention of the cast members’ attractiveness, which is an implicit suggestion that lesbians are more usually at the back of the queue when good looks are being given out. Rather irritatingly, Lip Service, a drama series following the interconnected lives etc etc...

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Imagine: Ai Weiwei - Without Fear or Favour, BBC One

Josh Spero

If you found yourself thinking that you were watching Mission: Impossible rather than Imagine, you could have been forgiven. Alan Yentob had clearly been banned from meeting Ai Weiwei in China, and so one of their interviews was conducted over a webcam, with Yentob sitting in the dark, like some spymaster of the arts.

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Accused, BBC One

howard Male

With a title like Accused it would be easy to imagine that Jimmy McGovern’s new series was going to be just another generic courtroom drama, but McGovern would never be that predictable. The man who made Brookside grittily unmissable back in the 1980s, reinvented the TV crime genre with Cracker in the 1990s, and then settled into full maturity with The Street which ended last year, would probably rather retire than deliver anything that wasn’t in some...

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Garrow's Law: Series 2, BBC One

Adam Sweeting

With a Royal Television Society award in the bag for its first series, Garrow’s Law has shifted up a gear with a batch of new stories about such momentous issues as homosexuality in the 18th century, the callous treatment of injured servicemen and attitudes to women in a supposed Age of Enlightenment.

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Elgar: The Man Behind the Mask, BBC Four

David Nice

Where is the real Elgar to be found – in his boisterous self-portrait at the end of the Enigma Variations, the warm, feminine sentiment of the Violin Concerto and the First Symphony’s Adagio, or the nightmares of the Second Symphony? No doubt in each of them, and more. John Bridcut’s painfully sensitive documentary hones in on the private, introspective Elgar, the dark knight of "ghosts and shadows", always with the music to the fore. And by getting the good and great, young and old...

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The Only Way is Essex, ITV2

alexandra Coghlan

To vajazzle or not to vajazzle; it’s the question on everyone’s, er, lips. Thanks to ITV’s unlikeliest of hits, The Only Way is Essex, tans will be brighter, teeth whiter and bodies more diamante-encrusted across the nation this winter. It’s the aesthetic equivalent of missionary work, and boy are these guys devout.

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True Stories: Joan Rivers - A Piece of Work, More4

Adam Sweeting

This bit was at the end, but it might as well have been at the beginning. Or, really, just bannered across the bottom of the screen all the way through: "I am a performer. That is my life. That is what I am. That's it."

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Spooks: Series Finale, BBC One

Adam Sweeting

The sense of crisis gathering over Spook Central in the last few episodes finally burst through this season finale like a Krakatoa-style cataclysm. Any lingering hopes that Richard Armitage’s Lucas North – the man we now know was really John Bateman – wasn’t really a black-hearted killer were brutally dashed. There was no more wriggle room. Bateman was bad to the bone.

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Downton Abbey: The Finale, ITV1

theartsdesk

Defying predictions that there would be no audience for a period costume drama set in an Edwardian country house, Downton Abbey has become the TV event of 2010. Episode one notched 11.6 million viewers (including repeats and ITV Player viewings), while episode two edged up to 11.8 million.

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