tv
Holding, ITV review - Graham Norton’s novel moves seamlessly to the small screenTuesday, 15 March 2022
The terrain Holding occupies is well travelled, but this new ITV four-part drama travels over it really well. The landmarks are familiar: a quiet rural community, a cop with an unhealthy lifestyle and a secret sorrow, a feud between rival lovers of the local lothario, a long-buried trauma that’s suddenly unearthed. We could be in any rural location in the primetime drama of the past half-century. Read more... |
Drive to Survive, Season 4, Netflix review - bitter rivalries on and off the trackSaturday, 12 March 2022
Netflix’s fly-on-the-pitwall series has rapidly established itself as a vital ingredient in the tapestry of Formula One coverage, and is credited with giving the sport a huge boost in visibility and popularity, not least in the USA. This fourth outing (now featuring even more undeleted expletives than ever) takes a look back at 2021’s dramatic racing season, which ended in uproar and controversy in Abu Dhabi last December. Read more... |
Shane, Amazon Prime review - the outsized life and times of cricket's King of SpinTuesday, 08 March 2022
Tragically, Shane Warne’s sudden death at age 52 means that Amazon’s new documentary about him has suddenly become an obituary as much as a celebration. Read more... |
The Ipcress File, ITV review – adaptation of Len Deighton thriller fires on all cylindersMonday, 07 March 2022
Sidney J Furie’s 1965 film The Ipcress File is a much-loved benchmark of its period. Stylish, sinister, witty and depicting a determinedly un-swinging London, it was conceived as the flipside to the absurdly glamorous James Bond movies and pulled it off with panache. Read more... |
Killing Eve, Series 4, BBC One review - has Villanelle found God?Sunday, 06 March 2022
“I’ve killed so many people. I don’t want to do it any more, any of it.” So said Villanelle (Jodie Comer) to Eve (Sandra Oh) in the last episode of the third series of Killing Eve, soon after she’d pushed Rhian Bevan, an assassin hired by the Twelve, under a train. Yeah, right, you may have thought, yawning cynically. Read more... |
Peaky Blinders, Series 6 review, BBC One - have we reached peak Peakies?Monday, 28 February 2022
They say this will be the final series of Peaky Blinders (BBC One) and its documenting of the tumultuous progress of the Shelby family, though creator Steven Knight promises there’s a feature film in the works. Read more... |
Chloe, BBC One review - good start, weak finishTuesday, 22 February 2022
Suddenly bogus-identity stories are all the rage. Netflix has been scoring big with Inventing Anna, the story of fake heiress Anna Delvey, as well as the The Tinder Swindler, a cautionary tale about a high-rolling conman who scams money from women he meets online. Read more... |
Inventing Anna, Netflix review - fake heiress saga outstays its welcomeMonday, 21 February 2022
Con artists in film or TV need to be clever, charming, mysterious or at least entertaining (for instance Leo DiCaprio in Catch Me If You Can or Michelle Dockery in the much-underrated Good Behaviour). Bafflingly, Anna Delvey, the notorious fake heiress whose story has been fictionalised by Shonda Rhimes’s Shondaland company in Inventing Anna (Netflix), is none of these things. Read more... |
This Is Going To Hurt, BBC One review - hospital drama with a realistic differenceTuesday, 15 February 2022
Painful more often than funny, this is not This Is Going To Hurt, the laugh-one-moment-rage-the-next book by obstetrician turned comedian Adam Kay. He’s written the script so essential truths remain. But the on-screen Adam Kay, national treasure Ben Whishaw – how happy Kay must have been about that – does relatively few lines to camera and what was essentially a diary has been shaped into a seven-part drama. Read more... |
Pam & Tommy, Disney+ review - the infamous sex tape that went globalWednesday, 02 February 2022
The transformation of Lily James, demure star of Yesterday, Cinderella and The Guernsey Literary and Potato Peel Pie Society, into smokin’ beach babe Pamela Anderson is the most memorable thing about Disney+'s uneven eight-part drama. Read more... |
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