tv
The Capture, Series 2 finale, BBC One review - gripping ride to a barnstorming conclusionTuesday, 13 September 2022
[Here be spoilers.] If you have been glued to the second season of The Capture, just ended, does it bother you that its content is borderline science fiction? Probably not. Writer Ben Chanan’s depiction of artificial intelligence may outstrip the reality of what it can currently achieve, but he can sure spin a gripping TV series around AI's potential for creating chaos in the wrong hands. Read more... |
Munich Games, Sky Atlantic review - superbly crafted thriller races to prevent a terrorist attackSaturday, 10 September 2022
A black box with a red blinking light is being stashed in a cabinet under the seating of the Olympic stadium in Munich. Then a hoodie-ed man is seen in silhouette, the stadium in the background. We are about to be plunged into the darker corners of the prosperous Bavarian city where, 50 years earlier, as the footage in the opening credits recalls, the infamous massacre of 11 members of the Israeli Olympic team by PLO gunmen took place. Read more... |
The Capture, Series 2, BBC One review - caught up in the China syndromeTuesday, 30 August 2022
When the first series of The Capture arrived three years ago, theartsdesk liked it so much that we reviewed it three times. Writer-director Ben Chanan had successfully, and addictively, tapped into a secret dystopia of blanket digital surveillance and so-called “correction”, in which anyone might be manipulated by shadowy state agencies to serve their own hidden agendas. Read more... |
Van der Valk, Series 2 Finale, ITV review - sleaze, corruption and skulduggery in AmsterdamMonday, 22 August 2022
Despite the jarring effect of having British actors speaking colloquial English while purporting to be Dutch policemen working in Amsterdam, the second series of ITV’s Van der Valk arrived at its third and final episode feeling as if it had reached its comfort zone. Read more... |
Better Call Saul, Season 6 Finale, Netflix review - end of the line for TV's most celebrated con artistFriday, 19 August 2022
It was the end of an era, as Vince Gilligan and Peter Gould’s bittersweet epic of the brilliantly devious Saul Goodman wound to a close. Hints of redemption were in the air, signalled by Saul reverting at last to his real name, James McGill. Read more... |
Marriage, BBC One review - a brilliantly executed drama series with a big heartMonday, 15 August 2022
The gifted writer-director Stefan Golaszewski (Him and Her, Mum) has surpassed himself with his latest drama series, Marriage. Given hour-long episodes to play with, rather than the usual half-hour, he has created an unfeasibly rich four-parter out of the simplest of means. Read more... |
Shetland, Series 7, BBC One review - Douglas Henshall is back for the last time as Jimmy PerezFriday, 12 August 2022
The last couple of series of Shetland (BBC One) brought the previously much-loved series alarmingly close to shark-jumping territory, converting the remote and thinly-populated Shetland archipelago into a war zone teeming with people-trafficking gangs, murderers and drug dealers. Can Series 7 restore some sanity? Read more... |
Murder in Provence, ITV review - a little light sleuthing amid fabulous French sceneryTuesday, 02 August 2022
Connoisseurs of the Britbox streaming service may already have caught up with this three-part series, which has evidently been pressed into service on ITV to pad out TV’s annual summer slump. They could have called it Midsomer Murders Goes to the Côte d’Azur, as it details the adventures of Investigating Judge Antoine Verlaque (Roger Allam) and his partner Marine Bonnet, a criminal psychologist played by Nancy Carroll. Read more... |
The Newsreader, BBC Two review - a drama series of welcome substance from AustraliaMonday, 25 July 2022
Period drama from Australia is something of a rarity on our televisions, so The Newsreader scores for novelty alone. It’s not startlingly innovative in form, but it does what it sets out to do in a highly satisfying way. Read more... |
The Control Room, BBC One review - twisty thriller set in an ultra-noir GlasgowTuesday, 19 July 2022
The BBC publicity department doesn’t want reviewers to reveal too much about this three-parter in advance, so the description of its content here may seem skimpy. If you watch this mini-series, you will sort of understand why – its plot relies on coincidences (or are they?) and unexpected twists (or just implausible ones?), flashbacks to past traumas (are these reliable?) and nightmarish scenes (real or imagined?) Read more... |
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