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Marry Me, E4

Veronica Lee Friday, 16 January 2015

The latest sitcom from the United States is very much in the American mould of smart dialogue, pacy timing and some astute human observation layered with a hint of schmaltz. It concerns two thirtysomethings, Annie and Jake, who have been together for six years. In the pilot episode last night, she was expecting him to pop the question while they were on a romantic holiday, while he has planned to go on bended knee when they return home.

Cockroaches, ITV2 / Crims, BBC Three

Jasper Rees Tuesday, 13 January 2015

Commissioning new sitcoms is a notoriously imprecise science. The first episode, and sometimes the first series, finds a sitcom at its least sure-footed. Keen to tell you all about itself, it tends to behave out of character, gabbling nervously and exaggerating every gesture. It might never find its feet, but you can rarely tell from one half-hour introduction. My own personal hostage to fortune was to have a sense of humour bypass when reviewing Father Ted.

Spiral, Series 5, BBC Four

Adam Sweeting Sunday, 11 January 2015

It's a poignant moment for the return of this superior French police drama. With the Paris terrorist crisis the top story across all media, we rejoin our fictional police captain Laure Berthaud to find her still in emotional fragments following the death of her lover Sami in a terrorist bomb blast at the end of series four.

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The Super-Rich and Us, BBC Two

Jasper Rees Friday, 09 January 2015

Some depressing statistics for your reading pleasure. (Depressing if you’re British and not a billionaire.) Since 2008, UK government austerity measures have been equal to the sum of money paid out in bankers’ bonuses: £80 billion. Not depressed yet? Try this. In 2013 the UK’s thousand richest people saw their wealth increase by a sum equivalent to the combined earnings of the country’s fulltime workforce: £70 billion. You probably are now, but if not...

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Sex Party Secrets, Channel 4

Thomas H Green Thursday, 08 January 2015

Let's face it, we're all fascinated by orgies. The idea of them gets the blood up. Sex Party Secrets promised a window into this netherworld, advising that such events are increasingly popular, that we're becoming a more liberated nation. At least, the rich are. The documentary's hashtag, #POSH ORGIES, lays down the parameters.

Broadchurch, Series 2, ITV

Adam Sweeting Tuesday, 06 January 2015

You can see why writers and TV companies like the idea of creating sequels to successful series, but trying to make lightning strike twice has obvious drawbacks. In the case of the original Broadchurch, the runaway ratings blockbuster which ended in April 2013, the story felt so complete and self-contained that the notion of a sequel seemed redundant, or gratuitous.

Rich, Russian and Living in London, BBC Two

Tom Birchenough Monday, 05 January 2015

If the idea of the BBC putting together a “Super Rich” season came as a surprise in itself, the fact that wealthy Russians would be appearing in it can’t have shocked anyone, and Rich, Russian and Living in London duly got last night’s opening slot.

Foyle's War, Series 9, ITV

Adam Sweeting Monday, 05 January 2015

Writer Anthony Horowitz has imbued Foyle's War with longevity by anchoring it among some lesser-known and frequently shameful occurrences in the margins of World War Two, and this ninth series opener duly embroiled us in murky shenanigans involving unscrupulous oil barons and cynical German industrialists.

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Rubens: An Extra Large Story, BBC Two

Marina Vaizey Saturday, 03 January 2015

The ebullient presenter, writer and director Waldemar Januszczak opens his enthusiastic and proselytising hour-long film on Sir Peter Paul Rubens (1577-1640) by reading out a series of disparaging quotes from other artists.

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War and Peace, BBC Radio 4

David Nice Friday, 02 January 2015

All happy families are alike, Tolstoy declares at the start of Anna Karenina, but this adaptation of War and Peace stresses how the surviving Rostovs and Bolkonskys went through various hells to get to that enviable state. In this one respect consummate mover and shaper Timberlake Wertenbaker steals a march on her author. Isn’t there a feeling of flatness when we find Natasha and Pierre sunk in seemingly trivial domestic bliss towards the end of the novel?