Theatre Reviews
Disruption, Park Theatre review - relevant and resonantFriday, 21 July 2023
Plays chronicling the unscrupulous collision of high finance and big tech seem 10 a penny these days. Some writers, such as Joseph Charlton, seem to have built entire careers around telling glossy tech morality tales (for my money the best in this burgeoning genre is Sarah Burgess's Dry Powder staged at Hampstead Theatre in 2018 starring Hayley Atwell). Read more... |
theartsdesk at the Ravenna Festival - invisible cities and possible dreamsMonday, 17 July 2023
Came for the music, returned for the theatre. I oversimplify: Riccardo Muti’s Roads of Friendship events, meetings of his Luigi Cherubini Youth Orchestra with players from other places – since 1997, they have included Sarajevo, Lebanon, Kenya, Iran and this year Jordan – will always be the big cornerstones of the Ravenna Festival. Read more... |
Cuckoo, Royal Court review - slow, superficial and unfunnySaturday, 15 July 2023
Historically, the Royal Court is the venue for cutting-edge new writing – you know, the kind of plays that have something urgent to say about contemporary life. Like what? Well, let’s see, something important to say about digital alienation, climate catastrophe, teenage discontent and family breakdown. Read more... |
Dr Semmelweis, Harold Pinter Theatre review - a play in search of a bedside mannerWednesday, 12 July 2023
As an actor, Mark Rylance specialises in outsiders and eccentrics, outliers of one kind or another. He identified and developed his latest character himself, based on the real-life, mid-19th century Hungarian doctor whose pioneering, lifesaving discoveries were long ignored by the medical Establishment – who in his lifetime was a tragic pariah rather than the hero he should have been. Read more... |
Beneatha's Place, Young Vic review - strongly felt, but unevenFriday, 07 July 2023
Trauma is the source of identity politics. In the case of African-Americans, the experience of brutal slavery, exploitative colonialism and violent racism are defining experiences in their history. Read more... |
Modest, Kiln Theatre review - tale of Victorian would-be trailblazer fails and succeedsThursday, 06 July 2023
Whether you believe that Ellen Brammar’s play, Modest, newly arrived in London from Hull Truck Theatre, succeeds or not, rather depends on your criteria for evaluating theatre. Read more... |
Crazy For You, Gillian Lynne Theatre review - high-kicking heavenWednesday, 05 July 2023
Who says you can't go home again? As proof that you can, and to giddy and gorgeous results, along comes the current West End revival of Crazy for You, which reunites Broadway name Susan Stroman with the Gershwin-inspired title that launched this singular talent on her career ascent more than 30 years ago. Read more... |
When Winston Went to War with the Wireless, Donmar Warehouse review - lively, but messyWednesday, 05 July 2023
Can things change, or must they always stay the same? The latest history play by Jack Thorne, a man of the moment whose Harry Potter and the Cursed Child is still in the West End and whose National Theatre hit The Motive and the Cue will transfer in December, revisits the early history of the BBC to show how current tensions between public service impartiality and political expediency have a long backstory. Read more... |
A Playlist for the Revolution, Bush Theatre review - idealism meets reality head-onTuesday, 04 July 2023
The revolution in the title of AJ Yi’s new play at the Bush is the one activists hoped to set in motion in Hong Kong in 2019, when China’s stewardship was increasingly restricting their civil liberties. Read more... |
The Swell, Orange Tree Theatre review - mind-bending romantic dramaMonday, 03 July 2023
There are some songs, and singers, that make your heart swell. Read more... |
Pages
Advertising feature
★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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