Theatre Reviews
A Chorus Line, Sadler's Wells review - high-kicking fun that's low on pathosTuesday, 06 August 2024
A Chorus Line reigned supreme on Broadway from 1975 to 1990, a bold, bare-bones piece that for once put musical theatre’s hoofers in the spotlight. “As welcome as a rainbow after a thunderstorm” was Clive Barnes’s summation in the New York Times. Read more... |
Edinburgh Fringe 2024 reviews: The Mosinee Project / Gwyneth Goes SkiingTuesday, 06 August 2024
The Mosinee Project, Underbelly Cowgate ★★★★ Read more... |
Frankie Goes To Bollywood, Southbank Centre review - lots of lights, but a dull showMonday, 05 August 2024
In the 1960s, Cilla Black was rescued from hat check duties at The Cavern and made a star. In the 1980s, Rick Astley was whisked away from tea-making at the Stock-Aitken-Waterman studios to launch, 30 years later. a billion RickRolls. In the 2020s, Frankie Taylor is spirited away from a Milton Keynes cinema popcorn stand to the bright (and I mean bright) lights of Bollywood. Read more... |
Edinburgh Fringe 2024 reviews: Heartbreak Hotel / The Gummy Bears' Great War / The CeremonySaturday, 03 August 2024
Heartbreak Hotel, Summerhall ★★★★ Read more... |
Red Speedo, Orange Tree Theatre review - two versions of American values slug it outMonday, 22 July 2024
Before Lucas Hnath wrote Red Speedo, he had heard a 2004 speech at a hearing investigating baseball doping that declared the practice “un-American”. That started him thinking about the concept of fairness. Read more... |
ECHO, LIFT 2024, Royal Court review - enriching journey into the mind of an exileSaturday, 20 July 2024
The Iranian playwright Nassim Soleimanpour is many things, some seemingly contradictory: a) a clever, poetic playwright who uses high-tech elements in his work to inventive effect; b) a mischievous presence who likes to appear in his own highly unusual plays; c) a man in pain who is traumatised by his self-imposed exile from Iran. Read more... |
The Hot Wing King, National Theatre review - high kitchen-stove comedy, with sides of dramaSaturday, 20 July 2024
There’s an exuberant comedy from the start in Katori Hall’s The Hot Wing King, which comes to London after an initial Covid-truncated Off Broadway run which brought her a Pulitzer prize in 2021. Roy Alexander Weise’s production puts in all the energy it can find and then more, doing its best to balance that comedy with the more serious themes, such as family responsibility, and a man’s role in the world, with which it is interspersed. Read more... |
Hello, Dolly!, London Palladium review - Imelda Staunton makes every line a deal-brokerFriday, 19 July 2024
Jerry Herman is the king of pep. Way too much of it in the first 20 minutes of the recent revue Jerry’s Girls had me screaming for a breather, but here the opening cavalcade, gorgeous overture included, intoxicates thanks to Dominic Cooke‘s razor-sharp direction. And the two torch songs, "Before the Parade Passes By" and the title number, begin in pathos before Imelda Staunton flashes her high-heeled party shoes. Read more... |
The Baker's Wife, Menier Chocolate Factory review - loving reappraisal doesn't entirely, well, riseFriday, 19 July 2024
The Baker's Wife closed on the way to Broadway in 1976, since which time Stephen Schwartz's stubbornly resistent if sweetly scored musical has been revived and reworked all over the map, not least by Gordon Greenberg. Read more... |
More Than One Story review - nine helpings of provocative political theatreMonday, 15 July 2024
A stark end-title at the end of this collection of short films sums up the dire situation the UK is in: one in five people,14 million Britons, are now living in poverty. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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