Theatre Reviews
Small Island, National Theatre review - fun epic takes ages to warm upFriday, 03 May 2019![]()
Novelist Andrea Levy's 2004 masterpiece, Small Island, is a tribute to the Windrush Generation, those migrants to England from the Caribbean that came first on the HMT Empire Windrush in 1948, and then subsequently on other ships. Being British citizens by right, the discrimination that they faced in the postwar years, which culminated in the 2018 Windrush Scandal, when so many of them have been denied their legal and human rights, is a stain on recent history. Read more... |
Jude, Hampstead Theatre review - Greek tragedy for todayFriday, 03 May 2019![]()
Edward Hall bids farewell to this venue, where he has been artistic director since 2010, with this production of a new play by Howard Brenton. The playwright has been a regular at the Hampstead Theatre, and he has enjoyed stagings of his history plays here, including 55 Days (2012), Drawing the Line (2013) and Lawrence after Arabia (2016). Read more... |
The Glass Piano, Print Room at The Coronet review – fascinating story undermined by absurdismThursday, 02 May 2019![]()
Often the greatest works of dramatic absurdism spring from the worst extremes of human experience, whether it’s Ionesco’s Rhinoceros responding to fascism, or Havel’s The Garden Party satirising the irrational cruelties of Prague’s Soviet occupiers. Read more... |
Man of La Mancha, London Coliseum review - historical work better left in the pastWednesday, 01 May 2019![]()
English National Opera continues its run of semi-staged musicals, in commercial collaboration with Grade Linnit, with a revival of this vintage oddity. Read more... |
The Half God of Rainfall, Kiln Theatre review - titanic war of the godsWednesday, 01 May 2019![]()
If British theatre often seems to lack ambition, the same cannot be said of The Half God of Rainfall, a galaxy-hopping mythological mash-up. Written by Inua Ellams, whose Barber Shop Chronicles was a big foot-stomping hit for the National in 2017, this epic story trips across the globe and the sphere of myth, combining Yoruba gods with ancient Greek deities. Read more... |
Ain't Misbehavin', Southwark Playhouse review - a jazz-hot musical revueThursday, 25 April 2019![]()
The joint is jumpin’ at Southwark Playhouse, now hosting an irresistible Fats Waller-inspired, Manhattan-set musical revue (a co-production with Colchester’s Mercury Theatre, where it opened last month). Read more... |
All My Sons, Old Vic review - starry but disappointingly unevenWednesday, 24 April 2019![]()
Superstar Sally Field has come to town. Read more... |
SS Mendi: Dancing the Death Drill, Isango Ensemble, Linbury Theatre - evocative and essential lyric theatreSaturday, 20 April 2019![]()
While Bach's and Handel's Passions have been driving thousands to contemplate suffering, mortality and grace, this elegy for black lives lost over a century ago also chimes movingly with pre-Easter offerings. Read more... |
Sweet Charity, Donmar Warehouse review - Sixties style over substanceThursday, 18 April 2019![]()
For her swansong, departing Donmar Artistic Director Josie Rourke goes Swinging Sixties in this stylish but flawed revival of the Cy Coleman, Dorothy Fields and Neil Simon musical. Read more... |
Three Sisters, Almeida Theatre review - middle of the road with flashes of magicWednesday, 17 April 2019![]()
About a year ago, director Rebecca Frecknall electrified this venue with an award-winning revival of Tennessee Williams's Summer and Smoke, rescuing the play from obscurity and showcasing the star qualities of actor Patsy Ferran. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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