sat 27/07/2024

New Music Reviews

Róisín Murphy, Royal Albert Hall review - shamanic razzle dazzle keeps us on our feet

joe Muggs

In one sense you know what you’re going to bet with Róisín Murphy. Disco beats, a lot of bright colours, costume changes, goofing about, kick-arse vocals, and hats – lots and lots of hats. And yes, all that was present and correct at the Royal Albert Hall. But in another way, any given show is alien territory.

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The Great Escape Festival 2023, Brighton review - a vibrant dip into Day One

Thomas H Green

Brighton is writhing with music biz sorts. The Great Escape is here, the multi-venue festival that’s taken place here for over a decade-and-a-half, presenting bands from all over the world, most of them little known, at least in the UK.

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Lucinda Chua, ICA review - sublimity on a rainy evening in London

India Lewis

As my editor noted, this was the first gig in his 30 years of music journalism that had guided meditation as its support act. This set the tone for a beautiful, peaceful evening at the ICA for Lucinda Chua, a homecoming gig and a welcome listen to pieces from her new and older albums.

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Jah Wobble, Brighton Festival 2023 review - Coronation bank hol Sunday marathon

Caspar Gomez

Jah Jah Jah blah blah blah. We’ll get to that.

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Duran Duran, Utilita Arena, Birmingham review - New Romantic veterans return home

Guy Oddy

Duran Duran were back in their hometown of Birmingham this weekend for the first time since performing as part of the open ceremony of the 2022 Commonwealth Games and were justly forthright in trumpeting their local history. Even Pinner-born Simon Le Bon was keen to claim his stake, telling the audience a long and convoluted tale about being dubbed an honorary Brummie by UB40’s Ali Campbell 25 years ago.

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Die Verlierer, New River Studios review - Berlin punks instantly find an audience at their UK debut

Kieron Tyler

It’s flabbergasting. OK, there’s the power of the internet as a propagation tool but here’s a German band playing their first UK show to a jumping-up-and-down audience punching the air while shouting along with the chorus of “X-Ray Vision” – which, indeed, is “X-Ray Vision”. The reception is extraordinary.

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Music Reissues Weekly: Tony Rivers - Move A Little Closer: The Complete Recordings 1963-1970

Kieron Tyler

Amongst the stranger recordings surfacing in 1977’s summer of punk was the version of Sex Pistols’s “Pretty Vacant” appearing on the budget Hallmark label album Top Of The Pops Volume 60 – the latest in a long-running series collecting ostensibly sound-alike versions of current hits recorded by anonymous session musicians and singers in a Wembley studio.

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Lankum, Barbican review - a stunning set

Tim Cumming

“YOUR NEW ALBUM IS FUCKING DEADLY!” hollers a voice from the depths of a full house at the Barbican on Thursday night, the first date on the north Dublin band’s UK tour for their stunning new album, False Lankum.

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Yard Act, Barrowland Ballroom, Glasgow review - a transcendent victory lap

Jonathan Geddes

Before even a note was struck, Yard Act’s singer James Smith was setting the bar high. “Over the past two days everyone we’ve met in Glasgow has been telling us this is the best gig we’ll ever play”, he declared, as soon as the Leeds band arrived onstage.

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Music Reissues Weekly: Loma Northern Soul

Kieron Tyler

One of the essays in the booklet accompanying Loma Northern Soul describes the titular label as an “outlet aimed at secondary or tertiary record markets, issuing product that it was hoped would prove strong in R&B radio, yet had the potential to crossover and do battle with Motown in the pop charts”.

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