New Music Reviews
Orbital, Brighton Centre review - a solid hands-in-the-air night outMonday, 10 April 2023
Just before the encore, the crowd is finally warmed up and dancing. It took a while, but hands are now in the air, middle-aged bodies are shifting about, muscle memory of MDMA nights in the last century. Read more... |
Music Reissues Weekly: Too Much Sun Will Burn - The British Psychedelic Sounds Of 1967 Volume 2Sunday, 09 April 2023
Together or separately, British psychedelia and 1967’s related music have been ceaselessly looked at. There cannot be an awful lot more to say. Nonetheless, the law of diminishing returns is there for ignoring so herewith the follow-up to the 2016 box set Let’s Go Down & Blow Our Minds. Read more... |
Mimi Webb, O2 Academy, Glasgow review - TikTok queen fails to fire with sparse setThursday, 06 April 2023
Blake Rose clearly wasn’t leaving anything to chance. The support act bounded onstage draped in a Saltire, and soon brought up his days growing up in Aberdeen before moving to Australia. That Scottish upbringing helped inspire one of his songs, “Sweet Caledonia”, and going by the lively reaction he received from the youthful Glasgow crowd they were glad to take him as their own. Read more... |
Vossa Jazz 2023 review: Norwegian festival’s 50th-anniversary edition keeps traditional music closeThursday, 06 April 2023
Two drummers are drumming. One held the beat on ABBA’s “Super Trouper”. He is Sweden’s Per Lindvall, more usually associated with jazz. The other is Norway’s Rune Arnesen, whose recording credits are also stylistically varied. Locked-in tight together, their groove provides the backbone for a band led by Norwegian trumpeter Nils Petter Molvær, whose 1996 album Khmer was his first for the ECM label. This is a live revisitation of the album. Read more... |
Music Reissues Weekly: McNeal and Niles - Thrust, Wilbur Niles and Thrust - Thrust TooSunday, 02 April 2023
An original pressing of 1979’s Thrust fetches at least £1000. Its 1980 follow-up Thrust Too can be a relative bargain at around £400. The prices are partly explained by J Dilla having sampled Thrust Too’s “Survival of the Funkiest” and Thrust’s “Summer Fun” being sampled by Daphni. Both funk-soul albums – the first credited to McNeal and Niles, the second to Wilbur Niles and Thrust – were barely circulated and barely sold. Text-book collector’s items. Read more... |
Inspiral Carpets, Concorde 2, Brighton review - a raucous catalogue of Madchester-era hitsTuesday, 28 March 2023
As Inspiral Carpets play “She Comes in the Fall”, a great song and one of their signature tunes, its martial drumming drags me into my own past. Seeing them play it at a 600-capacity venue makes me recall seeing them, over three decades ago, headlining the Reading Festival and, indeed, their own festival-style event at Alexandra Palace, when a female marching band would come onstage during this song. They were huge news then. Read more... |
Music Reissues Weekly: The Barracudas - Drop Out with the BarracudasSunday, 26 March 2023
From around July 1977, Jeremy Gluck began contributing to the UK music weekly Sounds. Amongst his pieces were features on The Lurkers, The Rezillos, 999 and his home country Canada’s punk band The Viletones. He’d also written about Generation X for what ended up as the final issue of Sniffin' Glue. In parallel, along with guitarist Robin Wills, he was formulating the band which became The Barracudas. Read more... |
Nick Mulvey, Chalk, Brighton review - cult star shines brightSaturday, 25 March 2023
Welcome to the church of Mulvey. The sold-out venue is packed with a svelte crowd, mostly ranging in age between about 30 and 45. Nick Mulvey is playing a new number which has an air of lockdown-inspiration about it, with its lines about “missing every one of you” and “feeling grace in solitude”. Read more... |
Suede, Symphony Hall, Birmingham review - a messianic performance from Britpop's originatorsThursday, 23 March 2023
“Why do we come to concerts?” asks Brett Anderson, Suede’s ringmaster and vocalist, before launching into an acoustic version of “The Wild Ones” from the stage of Birmingham’s Symphony Hall. “We come to concerts to feel something together, for a sense of community. So, if you know the words, please sing along.” Read more... |
Robert Forster, Lafayette review - élan, spontaneity and thoughtfulness from the former Go-BetweenWednesday, 22 March 2023
“Learn to Burn” generates the loudest and most sustained applause. As it was originally the opening track of Robert Forster’s 2015 album Songs to Play, the response is unexpected. It’s preceded by a version of his old band The Go-Betweens’ “Spring Rain,” and this London show follows the February release of his most recent album The Candle and the Flame – which would be an assumed focus of attention. So would an old favourite. This is a dedicated, attentive audience. Read more... |
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