New Music Reviews
Music Reissues Weekly: Scott Fagan - South Atlantic BluesSunday, 11 February 2024
The album opens with “In my Head.” The lead instrument is an electric piano, over which a quavering, clenched voice sings. The closest comparison is Pearls Before Swine’s Tom Rapp, a similarly idiosyncratic singer. As the stately song unfolds, stabbing strings complement interjections from a soul-styled brass section. Read more... |
Northern Winter Beat 2024 review - Julie Byrne, Alabaster DePlume, Deerhoof and Mary Ocher triumph in DenmarkThursday, 08 February 2024
You’re here. I’m so happy you’re here. You’re alive. You’re doing so well. Living is so hard. We’re alive. Have you suffered? When we’re alive, we suffer. We suffer to be alive. You must have suffered. Read more... |
Music Reissues Weekly: The Tornados - Love And Fury: The Holloway Road SessionsSunday, 04 February 2024
In summer 2022, one of the year’s most significant archive releases was issued. The Telstar Story was an eight track 10-inch EP focusing on the aural side of how The Tornados’ 1962 instrumental hit “Telstar” was created by independent producer Joe Meek. There were demos, working material from the recording sessions and much more. Read more... |
John Francis Flynn, The Dome review - new trad and taped tin whistlesFriday, 02 February 2024
The Dome, as the opening act, Clara Mann noted, is a normally a heavy metal venue (black or dark purple tour bus parked outside, a long queue of piercings and mohawks). It was a lovely confounding of expectations, therefore, to stage Mann’s own plaintive “sad sad” guitar songs (her description) and John Francis Flynn’s inventive and reinterpreted trad folk here. Read more... |
Tony Kofi Quartet, 606 Club review - from good to greatThursday, 01 February 2024
Twenty years ago, the British-Ghanaian saxophonist Tony Kofi recorded the results of a venture as ambitious as it was potentially audacious: an album of transpositions for sax of music by the master of improvisational quirk and idiosyncratic technique on piano: Theolonius Monk. Read more... |
Album: Plantoid - TerrapathMonday, 29 January 2024
Terrapath is a prog-rock album with a large dash of jazz-rock fusion. When the styles were in their Seventies pomp, an album side could be occupied by one cut. Both sides might feature, at most, four, maybe five tracks. Yet Plantoid’s debut LP fits 10 tracks into its 39 minutes, three of which are under three minutes apiece. Read more... |
Music Reissues Weekly: Fantastic Voyage - New Sounds For The European CanonSunday, 28 January 2024
In October 1977 Glasgow punk band Johnny & the Self Abusers decided to change their name. This was a problem for Chiswick Records, who were about to release their debut single. The records were pressed, the sleeves printed and the press release issued. There was no time to recall any of it and alter the band’s name. The single was credited to Johnny & the Self Abusers. Read more... |
Music Reissues Weekly: The Long Ryders - Native SonsSunday, 21 January 2024
Native Sons joyfully reframed musical styles of the past for the present. Even so, the freshness and oomph of The Long Ryders’ debut album meant revivalism was sidestepped. Originally issued in October 1984, it was a landmark in helping to nurture what would later be habitually defined as Americana. The word had been around, but Native Sons was pivotal to it gaining traction. Read more... |
Music Reissues Weekly: Mike Makhalemele & Winston “Mankunku” Ngozi - The Bull And The LionSunday, 14 January 2024
The Bull And The Lion was originally released in 1976 by Jo'burg, a South African label which opened-up for business in 1973 with a couple of singles and the first album by black singer Margaret Singana. Her debut LP was titled Lady Africa. The same year, the imprint issued the second single by Rabbitt, a white pop-rock band whose guitarist Trevor Rabin became internationally known when he played with Manfred Mann and then joined Yes. Read more... |
Album: Nailah Hunter - LovegazeSaturday, 13 January 2024
Nailah Hunter’s debut album occupies a domain where trip-hop, Lana Del Rey were she recording in a deep, echo-filled cave and ambient-slanted pop overlap. There’s a kinship with FKA Twigs and Julia Holter, but Hunter’s propensity to channel what feels like a mystical experience means that Lovegaze is more inscrutable than what’s generated by first impressions. Read more... |
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