Film Reviews
The Last Word film review - Shirley MacLaine's spit and vinegar remain intactFriday, 07 July 2017
If you're going to cobble together an entirely pro forma film, it's not a bad idea to give Shirley MacLaine pride of place. At 83, this redoubtable pro is no more capable of falsehood now than she ever was. It means that, although individual moments of The Last Word may find you rolling your eyes, its central performance rivets attention from first to last. Read more... |
Spider-Man: Homecoming review - fresh, funny version of the arachnid avengerWednesday, 05 July 2017
First introduced into the burgeoning “Marvel Cinematic Universe” in last year’s Captain America: Civil War, Tom Holland’s incarnation of Spider-Man is another triumph for this exuberant franchise (even if some might feel a pang for the fine and still-recent pairing of Andrew Garfield and Emma Stone under director Marc Webb's helmsmanship). Read more... |
Baby Driver review - thrill-ride runs out of roadThursday, 29 June 2017
Baby drives like a deranged bullet. Edgar Wright’s “diegetic action-musical” choreographs the bank-heist getaways of angel-faced Baby (Ansel Elgort) as physically exhilarating pure cinema, a rush that’s rare. Read more... |
Risk review - Assange unravelsWednesday, 28 June 2017
Julian Assange’s white hair marks his public persona. To some he’s an unmistakably branded outsider, or a lone white wolf hunting global injustice. Hollywood would cast him as the coolly enigmatic superhero who’s revealed as the supervillain in the last reel. Read more... |
Okja, Netflix review - joyous assault on the meat industryTuesday, 27 June 2017
Is meat murder? Will people eat anything if it’s cheap? Is the taste of bacon really what stops us half the western world turning vegetarian? Okja is a commercial stretch, a partly subtitled children’s fable from South Korea which unstintingly confronts all of these deep moral questions. But it does so in the most – if you will – palatable manner. Read more... |
Souvenir review – Huppert does deadpan like Buster KeatonSaturday, 24 June 2017
Isabelle Huppert isn’t just here for the nasty things in life. Her rape non-victim in Elle was one of the most iconoclastic performances even she’s given, enigmatic yet emotionally rich, rooted and moving. Read more... |
The Book of Henry review - staggeringly awfulFriday, 23 June 2017
It’s been quite a while since I’ve seen a movie as staggeringly awful as The Book of Henry. If it was just a touch more shrill it could have qualified as a so-bad-it’s-good camp classic, but unfortunately it teeters this side of tasteful in order to keep its 12 rating. How any studio executive ever read Gregg Hurwitz’s script and thought this was a viable scenario is truly baffling. What terrible atonement for sins in a past life led Naomi Watts to take the lead is another mystery,... Read more... |
Hampstead review - Diane Keaton deserves better and so does LondonThursday, 22 June 2017
Do the makers of the essentially unnecessary Hampstead have a secret vendetta against north London and its citizenry? Read more... |
The Seasons in Quincy: Four Portraits of John Berger review - voyages round a giantTuesday, 20 June 2017
“Men act and women appear. Men look at women. Women watch themselves being looked at. This determines not only most relations between men and women but also the relation of women to themselves.” I’ve quoted these words by John Berger many, many times. They are in my bloodstream, as it were, since they provided me with an explanation for my experience as a young woman in the world. The 1972 television series and accompanying book Ways of Seeing from which they came also... Read more... |
Gifted review - genius in the family genesFriday, 16 June 2017
There’s quite an appealing mini-genre that concerns genius, usually involving mathematics and an outsider who struggles to cope for reasons that include social adaptation (Good Will Hunting), sexuality (The Imitation Game) and mental health (A Beautiful Mind). The clever trick of Gifted is that the genius in question is too young to have any idea of the problems she may face. Read more... |
Churchill review - Winston has smallness thrust upon himFriday, 16 June 2017
He may often be voted Greatest Briton in the History of Everything, but are we approaching peak Winston? Scroll down Churchill’s IMDb entry and you’ll find that he’s been played by every Tom, Dick and Harry in all manner of cockamamie entertainments. Read more... |
Destination Unknown review - Holocaust survivors go backThursday, 15 June 2017
Destination Unknown is a passion project 13 years in production, a documentary featuring moving interviews with a dozen Jewish survivors of Nazi persecution. Elderly men and women describe what happened to them and their families during the... Read more... |
Whitney: Can I Be Me review - tragic account of superstar who fell to earthWednesday, 14 June 2017
The statistics of Whitney Houston’s career are flabbergasting in this post-CD era. Her 1985 debut album sold 25 million copies. “I Will Always Love You” is the best-selling single by a female artist in music biz history. Its parent album, the soundtrack to The Bodyguard, sold more than one million copies in a week. She had more consecutive Number One hits than The Beatles. Read more... |
Michelangelo: Love and Death review - how to diminish a colossusTuesday, 13 June 2017
As perhaps the greatest artist there has ever been – and as one of the most fascinating and complex personalities of his era – Michelangelo should be a thrilling subject for serious as well as dramatic cinematic documentary treatment. Read more... |
The Mummy review – please don't let them make a sequelFriday, 09 June 2017
The best bit is in the trailer. It's the scene where Nick Morton (Tom Cruise) and Jenny Halsey (Annabelle Wallis) are inside a stricken Hercules transport aircraft as it suddenly plunges vertically out of the sky, leaving its occupants in weightless limbo as they struggle frantically to find parachutes so they can bale out. But it's too late – the ground comes screaming up to meet them, and poor Tom can't get out. Read more... |
My Cousin Rachel review - du Maurier remake too florid by halfWednesday, 07 June 2017
From the breathless questions posed at the beginning onwards, My Cousin Rachel charges forward like one of leading man Sam Claflin's fast-galloping steeds. Presumably eager not to let this period potboiler become staid, director Roger Michell swoops in on the characters for close-ups and lets his surging camera duck and dive where it may. Read more... |
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