Classical Reviews
Last Night of the Proms review: Stemme, BBCSO, Oramo - international array, abundant blue and goldSunday, 10 September 2017
The Last Night of the Proms is always a beautifully choreographed event, and this year’s was no exception. The format changes little, but each year a new selection of works is chosen to fill the slots. Read more...
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Prom 74: Ax, Vienna Philharmonic, Tilson Thomas review - elegance without passionSaturday, 09 September 2017
The Vienna Philharmonic makes a beautiful sound, no question about that: the question is what to do with it. Michael Tilson Thomas has some ideas, but they are mostly low-key. He is currently touring with the orchestra, and seems to have been chosen as a safe pair of hands, offering elegant and lyrical interpretations, but without any extravagance. Read more... |
Prom 72 review: Vienna Philharmonic, Harding - uncertain Mahler Six partly redeemed by brassFriday, 08 September 2017
Outlines of a real face had begun to emerge in Daniel Harding’s conducting personality. His youthful rise to the top initially yielded neutral concerts with the LSO and a glassy, overpraised recording of Mahler’s Tenth in the Deryck Cooke completion with the Vienna Philharmonic. Read more... |
Prom 73 review: The Well-Tempered Clavier - Book 1, Schiff - glorious solo voyage across Bach's universeFriday, 08 September 2017
Amazingly, last night Sir András Schiff scored a Proms first with his performance of Book One of Bach’s The Well-Tempered Clavier. Never before has even half of the sublime and seminal “48” taken the Royal Albert Hall stage in unmutilated form. The WTC could have found no better advocate. Read more... |
Prom 70 review: Denk, BBCSO, Canellakis - high, lucid and brightWednesday, 06 September 2017
It can’t be too long before “women” no longer needs to prefix “conductors” to define what’s still a rare breed. Yet seven at the Proms is certainly an improvement, with many more coming up through the ranks. And American Karina Canellakis turned out to be very much the season’s final trump card. Read more... |
Proms 67 & 68 review: Freiburg Baroque, Heras-Casado / Mariinsky, Gergiev - reformation and revolutionMonday, 04 September 2017
Even tuning up, the multinational musicians of the Freiburg Baroque Orchestra make a lovely sound, well-anchored by the tug of four period-instrument cellos and three basses, yet buoyant and stippled with upper-wind colours, flutes circling and dipping like a cliff-edge bird colony. Ideal, then, for the Hebrides Overture which opened this Mendelssohn matinee (★★★★). Read more... |
Proms 64 & 66 review: Royal Concertgebouw Orchestra, Gatti - halfway to paradise with Bruckner and MahlerSunday, 03 September 2017
How do you get to heaven, especially if you need to reach the pearly gates by way of the earthbound acoustics of the Royal Albert Hall? With Chief Conductor Daniele Gatti as their spirit guide, the sumptuously arrayed pilgrim band of the Royal Concertbegouw Orchestra from Amsterdam sought different routes in the centrepieces of their pair of Proms. Read more... |
Prom 63 review: Gerstein, BBCSO, Bychkov - total mastery of orchestral soundFriday, 01 September 2017
No-one, least of all the players, will forget Semyon Bychkov’s 2009 Proms appearance with the BBC Symphony Orchestra in a poleaxing interpretation of Shostakovich’s Eleventh Symphony. Read more... |
Prom 61 review: Fleming, Royal Stockholm Philharmonic Orchestra, Oramo - heliotropic ecstasiesThursday, 31 August 2017
No sunshine without shadows was one possible theme rippling through this diva sandwich of a Prom. Read more... |
Proms at...Cadogan Hall review: Pavel Kolesnikov - Chopin takes flightTuesday, 29 August 2017
If individual greatness is to be found in the way an artist begins and ends a phrase, or finds magical transitions both within and between pieces, then Pavel Kolesnikov is already up there with the top pianists. Listeners tuning in midway through the peaks of his lunchtime Prom – the great Chopin Fantaisie or the Fourth... Read more... |
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