Classical Reviews
Crowe, The English Concert, Bicket, Milton Court review - Mozartian prima-donna perfectionThursday, 26 October 2017
Singing students from the Guildhall School should have been issued with a three-line whip to fill the inexplicably half-empty Milton Court concert hall for last night's charmer. After all, every musician, and not just sopranos, should know that this is how it ought to be done. True, an effervescent personality like Lucy Crowe's can't be simulated. But every other respect of her stunningly sung and varied Mozart... Read more... |
Total Immersion: Julian Anderson, Barbican review - BBC ensembles showcase leading British composerMonday, 23 October 2017
Julian Anderson’s 50th birthday this year was the prompt for the latest of the BBC’s Total Immersion days, devoted to the work of a single contemporary composer. Read more... |
Angela Hewitt, Wigmore Hall review – Bach Partitas shine and singThursday, 19 October 2017
On paper this was a fairly austere piece of programming. No variety in composer, genre or style, just four Bach Partitas in a row, works of similar approach, length and technique. And yet in performance, in the hands of Angela Hewitt, there was sufficient variety, not to mention poetry, humanity and wit, to make for a completely satisfying recital. Read more... |
Ensemble InterContemporain, Pintscher, RFH review - a visit from the gentle ghost of BoulezTuesday, 17 October 2017
The Royal Festival Hall rather belied its name for a visit to London on Saturday of France’s premier new-music ensemble. It can’t be helped that the more intimate space of the Queen Elizabeth Hall next door is presently closed for renovation, but with the balcony and back of the stalls both empty and unlit, the place presented a more dismal aspect than usual. Read more... |
Jonas Kaufmann: Tenor for the Ages, BBC Four review - a musical megastar with sword and shortbreadMonday, 16 October 2017
Now we know who sent Jonas Kaufmann the Union Jack boxer shorts for the Last Night of the Proms. Whether the sender’s identity is the bigger surprise, or the hint of ambiguity over whether the "Greatest Tenor in the World" had previously heard of one of Britain’s favourite baritones – well, you decide. And no, we don’t learn who threw the knickers at him from the arena. Read more... |
BBCSO, Brabbins, Barbican review - commanding vistas of earth and seaSaturday, 14 October 2017
Dances of earth and songs of sea – the BBC Symphony Orchestra's latest programme offered an inspired coupling, where similar inspirations balanced contrasting styles. Read more... |
Uchida, SCO, Ticciati, Usher Hall, Edinburgh review - Berlioz steals the showFriday, 13 October 2017
"Mitsuko Uchida plays Mozart" might have been the marketing tag to sell out this first concert in the Scottish Chamber Orchestra's 2017-18 season (despite student and free under-18s take-up, the Usher Hall still wasn't full). Read more... |
London Piano Festival, Kings Place review - feasts of fearless fingerworkTuesday, 10 October 2017
What has 12 hands, 18 legs, 176 keys and two page-turners? Party night at the London Piano Festival, of course. The six-pianist, two-piano marathon on Saturday evening was a high point of this delectable four-day event – though far from the only one. Read more... |
Widmann, CBSO, Gražinytė-Tyla, Symphony Hall Birmingham review - when Mirga met JörgFriday, 06 October 2017
Apparently it was Mirga Gražinytė-Tyla’s idea to invite Jörg Widmann to be the City of Birmingham Symphony Orchestra’s Artist in Residence this season – indeed, according to backstage rumours she made the phone call herself. Read more... |
Roman Rabinovich, Hatchlands review - poetry from Chopin's very own Pleyel pianoThursday, 05 October 2017
What pianist wouldn't long to lay fingers on keyboards impregnated, as Roman Rabinovich put it in his introduction yesterday afternoon, with the DNAs of Haydn and Chopin? Read more... |
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