fri 26/04/2024

Classical Reviews

Kopatchinskaja, LSO, Pappano, Barbican review - dancing on the volcano

David Nice

Poetry came an honourable second to sharp rhythms and lurid definition in this choreographic poem of a concert. You don’t get more tumultuous applause after an opener than with Ravel’s La Valse played like this. Vienna may have nearly collapsed after World War One, but the Scheherazade of Fazil Say’s 1001 Nights Violin Concerto lives to see a bright dawn, and Rachmaninov cries “Alliluya’ to whirling demons in his swansong Symphonic Dances.

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Kim, BBC Philharmonic, Gernon, Bridgewater Hall, Manchester review - the sound of brass

Robert Beale

Ben Gernon’s relationship with the BBC Philharmonic has been a richly rewarding one over the close-on seven years since his appointment as their principal guest conductor began, and indeed subsequently. 

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Skride, National Symphony Orchestra, Matheuz, National Concert Hall, Dublin - musical philosophies soar

David Nice

Promising on paper, dazzling in practice: with a superlative soloist and conductor, this programme just soared on wings of philosophy-into-music. The spotlighting of NSO co-leader Elaine Clark provided another thread, from the opening chant of Linda Buckley‘s Fall Approaches through the keen dialogues with collegial Baiba Skride in Bernstein’s dazzling Serenade to the Viennese-waltz Dance Song of Strauss’s Also sprach Zarathustra.

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Roomful of Teeth, Milton Court review - mellifluous minimalism with a mild manner

Bernard Hughes

If there’s a better name for a vocal group than Roomful of Teeth I have yet to come across it. But if it conjures up images of brash, in-your-face showbiz the reality couldn’t be more different.

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Degun, Scottish Ensemble, Queen's Hall, Edinburgh review - fusion of east and west, ancient and modern

Miranda Heggie

In a fusion of musical traditions both eastern and western, old and new, Scottish Ensemble were joined by virtuoso sitarist and composer Jasdeep Singh Degun for an evocative performance of Degun’s own work plus reimagined music by Terry Riley and Hildegard von Bingen at Edinburgh’s Queen’s Hall.

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Ruisi, Hallé, Elder, Bridgewater Hall, Manchester review - returning to Ravel’s glories

Robert Beale

Continuing the retrospective aspect of his final season as music director of the Hallé, Sir Mark Elder returned last night to Ravel’s Daphnis et Chloé, the work with which he opened the orchestra’s 2014-15 Manchester series to such memorable effect.

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Hewitt, Basel Chamber Orchestra, Bard, Bridgewater Hall, Manchester review - 22 extraordinary musicians

Robert Beale

The Basel Chamber Orchestra’s 21 string players on tour are an extraordinary set of musicians. Not only did they begin their programme in Manchester with Vaughan Williams’ Fantasia on a Theme by Thomas Tallis, requiring at times one-to-a-part playing to accomplish its multi-voice textures, but eight of them put down their instruments and transformed into a choir for the piece that followed.

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Connolly, BBC Philharmonic, Storgårds, Bridgewater Hall, Manchester review - beginning with a fanfare

Robert Beale

The opening concert of a new season often tends to be a statement of intent, and this was John Storgårds’ opener of the first full season since he was appointed chief conductor of the BBC Philharmonic. He’s hardly a newcomer to them, though, since he has been principal guest conductor (latterly chief guest) for nearly 12 years now. The mutual respect and trust are clear.

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I Fagiolini, Hollingworth, Kings Place review - magnificent Monteverdi Vespers

Bernard Hughes

It was great to see Kings Place full on Saturday night for I Fagiolini’s take on the Monteverdi Vespers, added, rock’n’roll style, as an “additional date due to public demand” after the Friday show sold out. And it was superb.

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Fung, RPO, Schwarz, Cadogan Hall review - high style from new cellist and conductor on the block

David Nice

You go to a concert, three-quarters of it popular classics – also great masterpieces – having been told you have to hear a brilliant young cellist, and into the bargain you also discover a remarkable conductor and an orchestra on top form shedding transcendental light on the familiar. So everybody’s happy.

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