Visual Arts Reviews
Gillian Wearing, Whitechapel GalleryWednesday, 28 March 2012
The first major retrospective of the videos, photographs and sculptures of Gillian Wearing is a deeply disturbing experience. Her videos can be just a few minutes, or as long as an hour, but are not sequential narratives. They can be dipped in and out of - unlike many video artists you do not have to acquiesce to her time scale. But take a lot of time: they are more than worth it, and repay repeated viewings. Read more... |
Turner Inspired: In the Light of Claude, National GalleryFriday, 16 March 2012
The British grand tourists not only fell in love with Italy. They fell in love with the landscapes of 17th-century ex-pat artist Claude Lorrain (1604/5-1682), depicting the Roman campagna in which the gods disported themselves. JMW Turner (1775-1851) also fell for the Frenchman, whose work he had seen in significant stately homes while visiting his patrons. Read more... |
Louise Bourgeois: The Return of the Repressed, Freud MuseumMonday, 12 March 2012
Louise Bourgeois tirelessly, obsessively documented her 32 years of psychoanalysis. Read more... |
Johan Zoffany: Society Observed, Royal AcademyFriday, 09 March 2012
Royal families and royal academies. Aristocrats at ease in exquisitely landscaped gardens or inside in gorgeous drawings rooms. Actors emoting, notably Sir David Garrick and his troupe. Nabobs in India. All are depicted in Johan Zoffany’s rivetingly detailed paintings of Georgian society. Read more... |
AV Festival, Newcastle/ Heiner Goebbels's Surrogate Cities, RFH/ London Contemporary Orchestra, Brunt, The RoundhouseMonday, 05 March 2012
It's often more fun on the margins. The pickings are richer. The view is clearer. You can take aim easier. The AV Festival has spent more than eight years here, on the counter-cultural edges, delving into the divisional cracks between art, music and film. Read more... |
Mixed Media, Haunch of VenisonMonday, 05 March 2012
Group shows can be strained: the rubric can be so narrow that it has to be stretched to accommodate the artists at hand. That is one reason why Haunch of Venison's new show, Mixed Media, is so pleasing: it features contemporary sculpture with an emphasis on the varied materials in use today, a capacious but not unlimited mission. The other reason is that the work is just damned good. Read more... |
Alighiero Boetti: Game Plan, Tate ModernFriday, 02 March 2012
Two superb exhibitions at Tate Modern bring into public view the work of Japanese artist Yayoi Kusama and Italian conceptualist Alighiero Boetti; their work is not in any way connected except that, with their singular voices, each deserves much broader recognition. Read more... |
Lines of Thought, Parasol UnitThursday, 01 March 2012
A show about lines: my tiny minimalist heart goes pitter-patter. And with good cause. Lines can be a bit blah – a quick scribble, and you’re on to the next thing. But they can also by their very simplicity, their irreduceability, lay bare some fundamentals, can draw a line under (yes, lots of “line” jokes available: line right up!) what really matters. Read more... |
Song Dong: Waste Not, The Curve, BarbicanWednesday, 29 February 2012
A remarkably tidy parade of thousands upon thousands of objects, neatly grouped into their categories – soap, plastic bottles, cooking pots and utensils, empty cardboard boxes, shoes, flower pots, gloves, string, to name but a few – Waste Not is a deeply disturbing yet affecting display of the obsessive accumulation of sheer stuff. Read more... |
Captain Scott: South for Science, National Museum WalesFriday, 24 February 2012
In a year of centenary celebrations paying homage to Captain Scott and the men who accompanied him to Antarctica at the end of the Edwardian age, two exhibitions in London have assumed pride of place. The Natural History Museum places a spotlight on the scientific achievements of the Terra Nova expedition. At the Queen’s Gallery two photographic archives capture with remarkable immediacy the sheer splendour of the polar regions. Read more... |
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