Visual Arts Reviews

Power of Making, Victoria and Albert Museum

Marina Vaizey Friday, 09 September 2011

Hands on! Power of Making has it all: one of the most surprising and exciting collections of contemporary stuff on view for many a while. Some is functional, from coffins to bicycles, wine caskets, guns, bespoke shoes.

Phyllida Barlow: RIG, Hauser & Wirth, London

Sarah Kent Thursday, 08 September 2011

Every surface in my house is covered in plaster and brick dust, and wood, sand, cement, plaster and wire mesh are strewn all over the place. Furniture, carpets and pictures are covered in dust sheets and piled into two sealed rooms.

Ryan Gander: Locked Room Scenario, Artangel in Hoxton, N1

Fisun Güner Wednesday, 07 September 2011

Will a crumpled piece of paper unlock the mystery of 'Locked Room Scenario'?

What are the most common responses to a work of contemporary art? I can think of two: “A six-year-old could have done that” (feel free to substitute “I” or “anyone”) and “But what does it actually mean?” Ryan Gander is an artist who is rather exercised by the latter. He is interested in the way we piece together scraps of evidence – overlooked details, context, history – in order to create meaning. We try to fill in the gaps. And when meaning eludes us we are often dismissive, even rather...

Frans Hals at the Metropolitan Museum, New York

Graham Fuller Monday, 29 August 2011

Hals's 'The Fisher Girl': 'The passage of time has placed her on equal footing with the movers, shakers and roisterers of the Dutch Republic'

If one comes away with any certainty from the New York exhibition Frans Hals at the Metropolitan Museum (until 10 October) it is that the Golden Age Dutch master (1582/3-1666) keenly understood and sympathised with his fellow human beings. Whether Hals (beloved of Courbet, Manet, Monet, Van Gogh, Whistler and Sargent) was painting drunks and prostitutes in tavern scenes, humble fisher folk, or burghers and intellectuals and their wives, he unerringly captured the essence of his...

Comment

Women War Artists, Imperial War Museum, London

Marina Vaizey Tuesday, 23 August 2011

Laura Knight's 'Ruby Loftus Screwing a Breech-Ring': a famously captivating image of the Home Front'

The sturdy, healthy, almost glowing attractiveness of Ruby Loftus, her reddish curls partly tamed by a green hair net, her face punctuated by bright-red lipstick characteristic of the 1940s, her blue overall neatly complementing her red shirt, and her expression intense and concentrated as she screws a breech ring as part of the manufacture of the Bofors gun at a factory in Newport, is a famously captivating image of the Home Front in the last world war.

Stanley Spencer and The English Garden, Compton Verney

Fisun Güner Thursday, 18 August 2011

'Wisteria, Cookham,' 1942: 'Fecund, exuberant nature can barely be contained by anything manmade'

In his later years, Stanley Spencer cut quite a figure in his native village of Cookham in Berkshire: he would often be seen pushing his rickety pram, with its battered umbrella, paints and canvas, and a hand-painted sign requesting all curious onlookers to desist from disturbing the artist at work. He spent most of his life in the village - even acquiring the nickname “Cookham” at the Slade, since he’d rush back by train after lessons every evening, presumably in time for tea.

Don McCullin, Tate Britain

Marina Vaizey Tuesday, 16 August 2011

Photography isn’t looking, it’s feeling. If you can’t feel what you’re looking at, then you’re never going to get others to feel anything when they look at your pictures. Thus Don McCullin, quoted on the information board of a new display at Tate Britain of around 50 black-and-white silver gelatin photographs, chosen and printed by the artist himself. No digital here, the process of the darkroom is under his control.

Taryn Simon: A Living Man Declared Dead..., Tate Modern

Sarah Kent Friday, 05 August 2011

Nezir Nukic, Zumra Mehic and the remains of Bajazit and Ahmedin Mehic

For her latest project, A Living Man Declared Dead and Other Chapters I-XVIII, American photographer Taryn Simon spent four years searching out families the world over whose lives have been defined by circumstances largely beyond their control – not natural calamities like floods, fires or earthquakes, but events orchestrated by other people. The stories are extraordinary.

Thomas Struth: Photography 1978-2010, Whitechapel Gallery

Marina Vaizey Wednesday, 03 August 2011

In Düsseldorf in the 1970s there was an astonishing art academy, the Kunstakademie, with amazing teachers – and amazing students. Düsseldorf was a proud art city, and published at the time a book of photographs called Düsseldorf City of Artists. The presence of that great messianic leader Joseph Beuys loomed large. Gerhard Richter (and Gotthard Graubner among others) taught painting, and an outstanding couple, Bernd and Hilla Becher, taught photography and photographed anonymous...

Homage to Fokine, Mariinsky Ballet, Royal Opera House

Judith Flanders Saturday, 30 July 2011

Mikhail Fokine, choreographer to both West and East, looked forward and back, too. He studied in the old Imperial Theatre School when the tsars ruled Russia, and he was also Diaghilev’s creative genius at the Ballets Russes, moving dance into the 20th century before and after the Revolution. The Mariinsky, once his home, is a premier exponent of his multifaceted styles.