thu 15/05/2025

Visual Arts Reviews

Taylor Wessing Photographic Portrait Prize 2016, National Portrait Gallery

Bill Knight

It’s that time of year again. The National Portrait Gallery exhibits the finalists in the annual Taylor Wessing Portrait prize. The judges have seen 4,303 photographs from 1,842 photographers and now show us 57.

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The Radical Eye, Tate Modern

Sarah Kent

“For me photography is a journey of discovery”, says Elton John. “I buy what I like and if it's not fashionable I don’t care. The more you collect, the more sophisticated your eye becomes.” He realised he had become a serious collector when, in 1993, he paid a record price at auction for Glass Tears, 1932 by Man Ray (main picture).

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Intrigue: James Ensor by Luc Tuymans, Royal Academy

Marina Vaizey

James Ensor? Who he? A marvellous Anglo-Belgian artist (1860-1949) little known outside Belgium, whose masterpiece, The Entry of Christ into Brussels in 1889, 1888, is a trophy painting at the Getty, California. It is present here in his own print version, its crowd scene mixing reality and fantasy typical of his wild imagination and extraordinary technical skill. 

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Bowie/Collector, Sotheby's

Alison Cole

David Bowie needs no introduction, yet he kept one aspect of his life largely hidden away: his art collecting. Now Sotheby’s, which is auctioning off around 400 items of his private art collection in a three-part sale on 10 and 11 November, is holding a very special exhibition, lasting just 10 days.

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Paul Nash, Tate Britain

Florence Hallett

In Monster Field, 1938, fallen trees appear like the fossilised remains of giant creatures from prehistory. With great horse-like heads, and branches like a tangle of tentacles and legs, Paul Nash’s series of paintings and photographs serve as documents, bearing witness to the malevolent lifeforce that, unleashed by their undignified end, has taken hold of these apparently dead trees.

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Adriaen van de Velde, Dulwich Picture Gallery

Marina Vaizey

Oh, those dogs: just a flick of the brush, and there they are, bursting with life. Pets, hunting dogs, companions, strays: romping on beaches, or in Dutch forests, living on farms and in imagined arcadias. Adriaen van de Velde was a 17th century master of canine depiction. His frisky creatures were bit players in hunting scenes filled with horses, carriages, people and birds ready to be let loose, all set in the verdant Dutch landscape, or by the North Sea.

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Rodin and Dance: The Essence of Movement, Courtauld Gallery

Alison Cole

This is an inspired and beautifully curated exhibition. It is subtitled The Essence of Movement, but it could equally be called The Essence of Art. What marks it out is not only the sensitively selected and tightly focused content, but also its close exploration of Rodin’s artistic process.

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The Vulgar, Barbican Art Gallery

Sarah Kent

In this autumn’s Vagabonds Collection, Viktor and Rolf showed a pink top covered in hundreds of buttons and framed with elaborate furls of pale pink and blue tulle; did they intend the model to look as if she was wearing a giant vulva across her chest? For me, this is the most vulgar garment (pictured below right) in an exhibition that supposedly explores the concept of vulgarity, yet is full of extremely tasteful designs.

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Beyond Caravaggio, National Gallery

Florence Hallett

Cheekily bottom-like, their downy skin blushing enticingly, these must be the sexiest apricots ever painted. If you held out your hand, you might just be able to touch them, there in the foreground of what is thought to be Caravaggio’s earliest surviving painting. Echoing the skin tones of a boy absorbed in the act of peeling fruit, the light highlights his hands and his downcast eyes make us voyeurs in a scene of unexpected sensuality.

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The Best of Frieze Masters 2016

Alison Cole

The fifth edition of the highly popular Frieze Masters – the quieter sibling of the boisterous contemporary Frieze Art Fair London – is underway in Regent's Park, London. This year, the fair features 133 leading galleries from around the world.

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