Visual Arts Features
theartsdesk in Kiev: The International Biennale for Contemporary ArtMonday, 06 August 2012
Giving his press conference speech at the opening of Kiev’s first international art biennale, David Elliott, the seasoned British curator charged with its organisation, looked exhausted, though far from triumphant and more than a little irate. “It’s not the way I usually handle things,” he said. He had opened his speech with an apology – some of the exhibits were still not ready. Read more...
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Intimate Exposure: Marilyn Monroe 50 Years OnSunday, 05 August 2012
It’s 50 years since Marilyn Monroe died alone on the night of August 4, 1962, from swallowing too many sleeping pills. The sad story soon became the stuff of legend. When they found her, she was still slumped over the telephone receiver; she had been ringing around, desperately trying to get help. Rumours soon spread about her relationship with Senator Robert Kennedy and possible access to state secrets, which gave rise to far-fetched conspiracy theories implicating the CIA in her death. Read more... |
Bruce Lacey: Art's Great AdventurerWednesday, 04 July 2012
“Bruce Lacey has had this unbelievable career,” says the Turner prizewinning artist Jeremy Deller. “His is an alternative version of British art history - people didn't seem to know that Bruce has intersected with British history. I felt he deserves to be looked at again." Deller has put his energies into a documentary, exhibition and film season, all celebrating this influential, but largely unsung and unique British artist. Read more... |
theartsdesk at Land's End: The Penzance ConventionSunday, 24 June 2012
Standing in Tate St Ives with the sun gleaming on the Atlantic, you wonder who they are, all these chilled, nonchalantly now people. Through the great curved window, the sun is setting over the barren headland of the Land’s End peninsular, the landscape that inspired Barbara Hepworth, Ben Nicholson et al. Read more... |
Extract: What's That Thing?Monday, 04 June 2012
In the former mining town of St Helens, a £2 million 66-foot baby’s head bulges out of the ground. On the approach to the new town of Cumbernauld, a 33-foot busty silver mermaid gestures at passers-by like a Vegas barmaid. Half a million pounds’ worth of hand-crocheted lions (pictured below left) will soon grace the streets of Nottingham. Another half a million will go into felling a stretch of Highland forest for a football pitch installation. Read more... |
theartsdesk in Leeds: OverWorlds & UnderWorldsMonday, 21 May 2012
It’s cold, grey and damp. Welcome to Leeds. The city centre has grown more homogenous, less distinctive since I arrived here in the 1980s, but there are still delights to be found. Read more... |
Collect 2012Thursday, 10 May 2012
Collect is the international art fair for exquisitely crafted contemporary objects. Launched in 2004 by the Crafts Council, the fair represents galleries from around the world and showcases the best ceramic, glass, jewellery, textiles, wood, furniture and fine metalwork by new and established artists. Read more... |
Turner Prize 2012 shortlistWednesday, 02 May 2012
Where’s Marcus Coates? The gangly shaman-artist was last seen communing with the dark spirit of the soon-to-be demolished Heygate Estate in the Elephant and Castle, but, hell, he’s nowhere on the Turner Prize 2012 shortlist. Read more... |
theartsdesk in Liverpool: The Sea OdysseyMonday, 23 April 2012
There is something surreal about emerging from an underground station in Liverpool and being confronted by an enormous giant lumbering its way up the street. Even coming up the escalator it is possible to hear the band accompanying this gigantic being merging with the roar of delight from the crowd. And crowds there have been. Over the three days of the Sea Odyssey it is estimated that 600,000 people have seen the latest street theatre creation from Nantes-based Royal De Luxe. Read more... |
Damien Hirst: Genius or Con Artist?Sunday, 01 April 2012
As Damien Hirst’s Tate retrospective looms large on the horizon, the million-dollar question is whether the work has withstood the test of time. Will exciting and provocative sculptures like the pickled shark, which became an icon of Brit Art the minute it swam into view at the Saatchi Gallery in 1992, still send shivers down the spine, or has it become too familiar to arouse anything more than a yawn of recognition? Read more... |
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