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Thomas H Green

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Bio
Thomas writes regularly for the Daily Telegraph and Mixmag. He has been a consistent presence in the UK dance music media since the mid-Nineties and has also written more broadly about music and the arts elsewhere. He has written one book, Rock Shrines, with another on the way. An ageing raver, he’s still occasionally to be found in nightclubs as dawn approaches.

Articles By Thomas H Green

Album: The Waeve - The Waeve

Thursday, 02 February 2023 Read more...

Album: Låpsley - Cautionary Tales of Youth

Wednesday, 25 January 2023 Read more...

Album: Iggy Pop - Every Loser

Wednesday, 11 January 2023 Read more...

Album: CVC - Get Real

Thursday, 05 January 2023 Read more...

theartsdesk on Vinyl 74: The Muppets, The Beatles, Decius, Black Lab, Black Sabbath, Tinariwen and more

Monday, 19 December 2022 Read more...

Albums of the Year 2022: Wet Leg - Wet Leg

Thursday, 15 December 2022 Read more...

Album: Debbie Gibson - Winterlicious

Wednesday, 14 December 2022 Read more...

Trans Musicales Festival 2022 review - vibrant eclecticism rules in Rennes

Tuesday, 13 December 2022 Read more...

Album: Weyes Blood - And in the Darkness, Hearts Aglow

Friday, 25 November 2022 Read more...

Working Men's Club, Chalk, Brighton review - untrammelled, noisy and grim-faced

Thursday, 24 November 2022 Read more...

Album: Micah P Hinson - I Lie to You

Wednesday, 23 November 2022 Read more...

Album: Carl Cox - Electronic Generations

Monday, 21 November 2022 Read more...

Album: Christeene - Midnite Fukk Train

Friday, 18 November 2022 Read more...

Courtney Barnett, Brighton Dome review - canny, poetic singer shows she can rock out with the best

Monday, 14 November 2022 Read more...

theartsdesk on Vinyl 73: Sandy Denny, Plastic Mermaids, Orbital, Speedy Wunderground, The Snuts, The Kinks and more

Wednesday, 09 November 2022 Read more...

Album: Morton Valence - Morton Valence

Saturday, 05 November 2022 Read more...

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It’s weird, right? We’ve somehow stumbled into a world where, for all we’re told that algorithms homogenise music, actually more people than ever...

The Makropulos Case, Royal Opera - pointless feminist compli...

Janáček described his nature-versus-humanity fable The Cunning Little Vixen as “a merry thing with a sad...

Othello, Theatre Royal, Haymarket review - a surprising mix...

Perspectives on Shakespeare's tragedy have changed over the decades....

Benson Boone, O2 London review - sequins, spectacle and chee...

After cancelling his Birmingham gig an hour before curtain-up due to illness, the anticipatory hype around whether...

Die My Love review - good lovin' gone bad

Directed by Lynne Ramsay and based on the book by Ariana Harwicz, Die My Love is an unsettling dive into the disturbed psyche of...

Midlake's 'A Bridge to Far' is a tour-de-forc...

“Climb upon a bridge to far, go anywhere your heart desires.” The key phrase from the title track of Midlake’s sixth studio album conveys the...

Macbeth, RSC, Stratford review - Glaswegian gangs and ghouli...

It’s hard to pinpoint exactly what’s so very different about Belfast and Glasgow, both of which I have visited in the last few...

Sananda Maitreya, Town Hall, Birmingham review - 80s megasta...

During a false start to “Billy Don’t Fall”, on Sunday night at Birmingham’s iconic Town Hall, Sananda Maitreya took the opportunity to address the...

First Person: Kerem Hasan on the transformative experience o...

There is a scene in the second act of Jake Heggie and Terrence McNally’s Dead Man Walking in which the man condemned to death, Joseph De...