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Thomas H Green

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Bio
Thomas writes regularly for the Daily Telegraph and Mixmag. He has been a consistent presence in the UK dance music media since the mid-Nineties and has also written more broadly about music and the arts elsewhere. He has written one book, Rock Shrines, with another on the way. An ageing raver, he’s still occasionally to be found in nightclubs as dawn approaches.

Articles By Thomas H Green

theartsdesk on Vinyl 75: The Beach Boys, The Residents, Danny Goffey, Jean-Michel Jarre, black metal and Sixties psych

Monday, 20 February 2023 Read more...

Album: Orbital - Optical Delusion

Wednesday, 15 February 2023 Read more...

Album: The Waeve - The Waeve

Thursday, 02 February 2023 Read more...

Album: Låpsley - Cautionary Tales of Youth

Wednesday, 25 January 2023 Read more...

Album: Iggy Pop - Every Loser

Wednesday, 11 January 2023 Read more...

Album: CVC - Get Real

Thursday, 05 January 2023 Read more...

theartsdesk on Vinyl 74: The Muppets, The Beatles, Decius, Black Lab, Black Sabbath, Tinariwen and more

Monday, 19 December 2022 Read more...

Albums of the Year 2022: Wet Leg - Wet Leg

Thursday, 15 December 2022 Read more...

Album: Debbie Gibson - Winterlicious

Wednesday, 14 December 2022 Read more...

Trans Musicales Festival 2022 review - vibrant eclecticism rules in Rennes

Tuesday, 13 December 2022 Read more...

Album: Weyes Blood - And in the Darkness, Hearts Aglow

Friday, 25 November 2022 Read more...

Working Men's Club, Chalk, Brighton review - untrammelled, noisy and grim-faced

Thursday, 24 November 2022 Read more...

Album: Micah P Hinson - I Lie to You

Wednesday, 23 November 2022 Read more...

Album: Carl Cox - Electronic Generations

Monday, 21 November 2022 Read more...

Album: Christeene - Midnite Fukk Train

Friday, 18 November 2022 Read more...

Courtney Barnett, Brighton Dome review - canny, poetic singer shows she can rock out with the best

Monday, 14 November 2022 Read more...

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Blu-ray: Finis Terrae

British audiences of a certain age will note Finis Terrae’s similarity to Finisterre, one of the 31 sea areas listed in the BBC’s ...

BBC Proms: Jansen, Royal Concertgebouw Orchestra, Mäkelä rev...

How often is an orchestral concert perfect in every texture, every instrumental entry, every phrase? Wednesday's Phiharmonia Prom struck sound-...

The Gathered Leaves, Park Theatre review - dated script lift...

The Gathered Leaves is set on the tectonic plates of a middle-class family menu reunion, in which three generations grapple with the...

As You Like It: A Radical Retelling, Edinburgh International...

There is, let’s be honest, a certain self-congratulatory self-satisfaction among some particularly well-heeled sections of the Edinburgh...

Album: Nova Twins - Parasites & Butterflies

For Nova Twins, the alternative rock/metal duo of Amy Love and Georgia South, the years since 2020 have been a non-stop journey of evolution....

Oslo Stories Trilogy: Sex review - sexual identity slips, hu...

Two chimney sweeps sit by a window. The boss (Thorbjørn Harr) recounts a dream meeting with David Bowie, who disconcertingly looks at...

BBC Proms: Royal Concertgebouw Orchestra, Mäkelä review - de...

Klaus Mäkelä teased out all the fragility and the sense of impending mortality in Mahler’s Fifth Symphony, revealing a vision that was as...

Hostage, Netflix review - entente not-too-cordiale

Conceived and written by Matt Charman, whose CV...

Music Reissues Weekly: The Beatles - What's The New, Ma...

“What's the New Mary Jane” is a nursery rhyme-like song, one of John Lennon’s most peculiar offerings. It was recorded for late 1968’s double...