wed 18/09/2024

Jasper Rees

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Bio
Jasper has written about the arts, books, the media and sport for many broadsheets and magazines. He currently writes for the Telegraph and the Spectator. In the 1990s he also wrote about football for The Independent on Sunday. He is the author of I Found My Horn and co-author of the play of the same name. Bred of Heaven, his book on Wales and Welshness, was published in August 2011 and read on BBC Radio 4's Book of the Week. His latest book is a biography of Florence Foster Jenkins

Articles By Jasper Rees

Being Blacker, BBC Two review - absorbing film about family, culture and society

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Matthew Sweet: Operation Chaos review - paranoia and insanity in the Cold War

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Wonder Wheel review - Woody Allen and Kate Winslet channel O'Neill

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Collateral, series finale, BBC Two - Carey Mulligan hares to the finish

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Bombshell: The Hedy Lamarr Story review - Hollywood's brainiest beauty

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theartsdesk in Minsk: feasting with Belarus Free Theatre

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Mum, BBC Two, series 2 review - Lesley Manville is a discreet delight

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Hold the Sunset, BBC One, review - this is an ex-sitcom

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Trauma, ITV, review - surgically imprecise revenge drama

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DVD/Blu-ray: Blade Runner 2049

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The Mercy review - Colin Firth's leaking vessel

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John Mahoney: 'I wanted to be like everybody else'

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Joe Dunthorne: The Adulterants review - a richly illuminating comedy of disappointment

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Daniel Day-Lewis: 'I'm quite good at mending things'

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Inside No 9, series 4, BBC Two review - laughter in the dark

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Downsizing review - little things please little

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latest in today

Here comes the flood: Bob Dylan's 1974 Live Recordings

Lighters at the ready, because here comes the flood. Drawn from 16-track tape, 1/4in reels and lo-fi sound board cassettes that are now a half...

Donohoe, Roscoe, Stoller Hall, Manchester review - two great...

A little piece of musical history was made last night at Manchester Chamber Concerts Society’s season-opening concert. Two of the greatest...

Wang, Lapwood, LSO, Pappano, Barbican review - grace and pow...

It takes stiff competition to outshine Yuja Wang, who last night at the Barbican complemented her spangled silver sheath with a disconcerting pair...

My Favourite Cake review - woman, love, and freedom

The taxi cab has become a recurring motif in modern Iranian cinema, perhaps because it approximates to a kind of dissident bubble within the...

Beethoven Sonata Cycle 1, Boris Giltburg, Wigmore Hall revie...

A happy, lucid and bright pianist, a forbidding Everest among piano sonatas: would Boris Giltburg follow a bewitching, ceaselessly engaging first...

The Band Back Together, Arcola Theatre review - three is a d...

We meet Joe first at the keys, singing a pretty good song, but we can hear the pain in the voice – but is that...

Music Reissues Weekly: Sean Buckley & The Breadcrumbs

Although Dagenham’s Sean Buckley & The Breadcrumbs are less than a footnote in the story of beat boom-era Britain, appearances on archive...

The Critic review - beware the acid-tipped pen

The setting is the lively 1930s London theatre world, but any sense that The Critic will be a lighthearted thriller should soon be...

Van Gogh: Poets & Lovers, National Gallery review - pass...

Van Gogh: Poets & Lovers includes many of his best known pictures and, amazingly, it is the first exhibition the...