fri 28/03/2025

Jasper Rees

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Bio
Jasper has written about the arts, books, the media and sport for many broadsheets and magazines. He currently writes for the Telegraph and the Spectator. In the 1990s he also wrote about football for The Independent on Sunday. He is the author of I Found My Horn and co-author of the play of the same name. Bred of Heaven, his book on Wales and Welshness, was published in August 2011 and read on BBC Radio 4's Book of the Week. His latest book is a biography of Florence Foster Jenkins

Articles By Jasper Rees

Being Blacker, BBC Two review - absorbing film about family, culture and society

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Matthew Sweet: Operation Chaos review - paranoia and insanity in the Cold War

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Wonder Wheel review - Woody Allen and Kate Winslet channel O'Neill

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Collateral, series finale, BBC Two - Carey Mulligan hares to the finish

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Bombshell: The Hedy Lamarr Story review - Hollywood's brainiest beauty

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theartsdesk in Minsk: feasting with Belarus Free Theatre

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Mum, BBC Two, series 2 review - Lesley Manville is a discreet delight

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Hold the Sunset, BBC One, review - this is an ex-sitcom

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Trauma, ITV, review - surgically imprecise revenge drama

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DVD/Blu-ray: Blade Runner 2049

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The Mercy review - Colin Firth's leaking vessel

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John Mahoney: 'I wanted to be like everybody else'

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Joe Dunthorne: The Adulterants review - a richly illuminating comedy of disappointment

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Daniel Day-Lewis: 'I'm quite good at mending things'

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Inside No 9, series 4, BBC Two review - laughter in the dark

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Downsizing review - little things please little

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latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Wilko: Love and Death and Rock'n'Roll, Southwark P...

Resurrecting the origins of old rock stars is becoming quite the thing, After cinema’s Elton John, Freddie Mercury, Bob Dylan and...

The End review - surreality in the salt mine

The End, a quasi-musical from Joshua Oppenheimer, who has previously only produced ...

Playhouse Creatures, Orange Tree Theatre review - jokes, shi...

Creatives – or creatures? In the 1660s, women – having been banned from working as actors in previously more...

Album: Perfume Genius - Glory

I can’t stop reading and re-reading the review copy I got of a new book, out next week. Liam Inscoe-Jones’s ...

La finta giardiniera, The Mozartists, Cadogan Hall review -...

Just now, the notion of a long-term project that concludes in 2041 sounds like an optimistic bet on the far future worthy of some 18th-century...

La Cocina review - New York restaurant drama lingers too lon...

La Cocina is one of those films that cuts an excellent trailer, succinctly delivering just enough characters, plot and visual...

Album: Alison Krauss & Union Station - Arcadia

It’s been 14 years since Alison Krauss and Union Station released an album – 2011’s Paper Aeroplane. The world’s shed a few skins since...

Batsashvili, Hallé, Wong, Bridgewater Hall, Manchester revie...

Mariam Batsashvili, the young virtuosa pianist from Georgia, is a star. No doubt about that. Trained at the Liszt Academy in Weimar and winner of...

Blu-ray: Lifeforce

Tobe Hooper changed cinema with The Texas Chain Saw Massacre (1974) for pennies in rancid Southern heat, but came closest to a mainstream...