fri 24/03/2023

Jasper Rees

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Bio
Jasper has written about the arts, books, the media and sport for many broadsheets and magazines. He currently writes for the Telegraph and the Spectator. In the 1990s he also wrote about football for The Independent on Sunday. He is the author of I Found My Horn and co-author of the play of the same name. Bred of Heaven, his book on Wales and Welshness, was published in August 2011 and read on BBC Radio 4's Book of the Week. His latest book is a biography of Florence Foster Jenkins

Articles By Jasper Rees

Jeremy Irons: 'I was never very beautiful' - interview

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Rebecka Martinsson: Arctic Murders, More4 review - Swedish sleuth is a cold case

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The Post review - Spielberg's glorious paean to print

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Kiri, Channel 4 review - transracial adoption drama muddies the waters

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Three Billboards Outside Ebbing, Missouri review - Frances McDormand is on fire

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Girlfriends, ITV review - Kay Mellor helps the middle-aged

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Eric, Ernie and Me, BBC Four review - he brought them sunshine

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The Miniaturist, BBC One review - a lovely supernatural soap

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Agatha Christie's Crooked House, Channel 5 review - actresses chew furniture for fun

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Bancroft, ITV review - Sarah Parish's very cold case

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DVD/Blu-ray: Terminator 2 - Judgment Day

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Howards End finale, BBC One review - who isn't going to miss the Schlegel sisters?

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'She has escaped from my Asylum!': The Woman in White returns

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Battle of the Sexes review - Emma Stone aces it as Billie Jean King

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I Know Who You Are, series 2 finale, BBC Four review - Spanish drama literally took no prisoners

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Love, Lies & Records, BBC One review - Ashley Jensen too good to be true

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latest in today

Suede, Symphony Hall, Birmingham review - a messianic perfor...

“Why do we come to concerts?” asks Brett Anderson, Suede’s ringmaster and vocalist, before launching into an acoustic version of “The Wild Ones”...

First Person: Donatella Flick on why the conducting competit...

What are the qualities that make a great conductor? It’s...

Album: Depeche Mode - Memento Mori

Depeche Mode’s Andy “Fletch” Fletcher, who died in May last year, was generally held to contribute to the dynamic of the band more than the music...

The Chevalier, St Martin-in-the-Fields review - virtuoso jou...

Shimmeringly urbane, shifting effortlessly from intricate agility to muscular intensity, the music of the 18th century composer Joseph Bologne is...

First Person: Anna Clyne on composing collaborations, not ba...

Collaboration fuels a lot of my music – I love the interaction that takes me outside of my natural tendencies – it’s a source of...

Robert Forster, Lafayette review - élan, spontaneity and tho...

“Learn to Burn” generates the loudest and most sustained applause. As it was originally the opening track of Robert Forster’s 2015 album Songs...

Album: Black Honey - A Fistful of Peaches

There’s a disconnect on the third album by Brighton rockers Black Honey. The music is rousing post-grunge indie...

Turandot, Royal Opera review - spectacle and sound wow in th...

Nearly 40 years old, Andrei Serban’s Royal Opera Turandot feels like a gilded relic (I felt like a relic myself on learning that my...

Osborne, RSNO, Chan, Usher Hall, Edinburgh - cinematic sweep...

Two women featured prominently in this programme; the one a composer and the other a conductor.

To the composer first. Long before she hit...

The Beasts review - a countryside idyll loses its charm

The Beasts (As Bestas) is all of two hours and 17 minutes long, and yet to look away is never an option. ...