fri 29/03/2024

Jasper Rees

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Bio
Jasper has written about the arts, books, the media and sport for many broadsheets and magazines. He currently writes for the Telegraph and the Spectator. In the 1990s he also wrote about football for The Independent on Sunday. He is the author of I Found My Horn and co-author of the play of the same name. Bred of Heaven, his book on Wales and Welshness, was published in August 2011 and read on BBC Radio 4's Book of the Week. His latest book is a biography of Florence Foster Jenkins

Articles By Jasper Rees

Jeremy Irons: 'I was never very beautiful' - interview

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Rebecka Martinsson: Arctic Murders, More4 review - Swedish sleuth is a cold case

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The Post review - Spielberg's glorious paean to print

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Kiri, Channel 4 review - transracial adoption drama muddies the waters

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Three Billboards Outside Ebbing, Missouri review - Frances McDormand is on fire

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Girlfriends, ITV review - Kay Mellor helps the middle-aged

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Eric, Ernie and Me, BBC Four review - he brought them sunshine

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The Miniaturist, BBC One review - a lovely supernatural soap

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Agatha Christie's Crooked House, Channel 5 review - actresses chew furniture for fun

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Bancroft, ITV review - Sarah Parish's very cold case

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DVD/Blu-ray: Terminator 2 - Judgment Day

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Howards End finale, BBC One review - who isn't going to miss the Schlegel sisters?

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'She has escaped from my Asylum!': The Woman in White returns

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Battle of the Sexes review - Emma Stone aces it as Billie Jean King

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I Know Who You Are, series 2 finale, BBC Four review - Spanish drama literally took no prisoners

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Love, Lies & Records, BBC One review - Ashley Jensen too good to be true

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latest in today

MJ the Musical, Prince Edward Theatre review - glitzy jukebo...

In a secret chamber somewhere, the producers of ...

Annie Jacobsen: Nuclear War: A Scenario review - on the inco...

"[A]n unimaginably beautiful day": this was how Kikue Shiota described the morning of the 6th of August, 1945, in Hiroshima. The day was soon to...

The Dream of a Ridiculous Man, Marylebone Theatre review - f...

Like all great literature, Fyodor Dostoevsky’s final, eccentric, playfully wondrous short story seems to have been written just for us – across...

Bach's Easter Oratorio, OAE, Whelan, QEH review - the j...

Waiting, and hoping, may prove just as intense an experience as the fulfilment of a wish – or of a fear. Bach knew that, and infused his Easter...

Album: Jane Weaver - Love In Constant Spectacle

“Motif,” Love In Constant Spectacle’s fourth track, is the closest Jane Weaver has come in over a decade to the folk influences embraced...

First Person: author-turned-actor Lydia Higman on a play tha...

I first read Anne Gunter’s story about five years ago, when I was in my first year of university at Oxford, little knowing it would over time lead...

The Origin of Evil review - Laure Calamy stars in gripping F...

A young woman (Laure Calamy; Call my Agent!; Full Time; Her Way) is trying to pluck up the courage to call her...

Foam, Finborough Theatre review - fascism and f*cking in a G...

In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet...

Album: Ride - Interplay

What a time to be alive it is for fans of late Eighties, early Nineties ...