fri 11/10/2024

Jasper Rees

Jasper Rees's picture
Bio
Jasper has written about the arts, books, the media and sport for many broadsheets and magazines. He currently writes for the Telegraph and the Spectator. In the 1990s he also wrote about football for The Independent on Sunday. He is the author of I Found My Horn and co-author of the play of the same name. Bred of Heaven, his book on Wales and Welshness, was published in August 2011 and read on BBC Radio 4's Book of the Week. His latest book is a biography of Florence Foster Jenkins

Articles By Jasper Rees

Michael McIntyre, Wembley Arena

Read more...

The Invention of Lying

Read more...

The Hourglass Sanatorium, Barbican

Read more...

Rich Hall, Hammersmith Apollo

Read more...

Football and Film: United or Damned?

Read more...

The Cut (episode five), BBC Switch

Read more...

The Cut (episode four), BBC Switch

Read more...

The Cut (episode three), BBC Switch

Read more...

The Cut (episode two), BBC Switch

Read more...

Ross Noble is pro-live

Read more...

The Cut (episode one), BBC Switch

Read more...

theartsdesk Q&A: Lyricist Tim Rice

Read more...

Dorian Gray

Read more...

Interview: What Do We Know About Julian Barnes?

Read more...

Pages

latest in today

Kanga, Manchester Collective, Singh, RNCM Manchester review...

Of all the inventive and enterprising things Manchester Collective do, it’s most often been the playing of a string ensemble led from first desk...

theartsdesk Q&A: Alice Lowe on 'Timestalker' a...

Before Alice Lowe wrote her first short film scripts, she was, despite success in television and theater, “terrified” of making a full-length...

The Lehman Trilogy, Gillian Lynne Theatre review - three bro...

Merchant bankers then eh? It’s not a slang term of abuse for nothing, as the middlemen collecting the crumbs off the cake (in...

Filumena, Theatre Royal Windsor review - Mozartian marriage...

Of all the ingenues in all the world of golden TV sitcom, Felicity Kendal was the most innocent, the most wicked, the most deceptive, with an...

Album: Immanuel Wilkins - Blues Blood

Immanuel Wilkins’s third Blue Note Album – Blues Blood – has a big concept behind it. According...

Brace Brace, Royal Court review - too slender to satisfy

Air travel is bad for us. Yes, yes, I know we need planes to take us long distances, but look at the downside: not only the carbon footprint, but...

First Person: Tim Etchells on 40 years of making a noise wit...

Forced Entertainment is a theatre company based in Sheffield, touring original performances around the world. The core group of 6 artists has been...

Lygia Clark: The I and the You, Sonia Boyce: An Awkward Rela...

Brazilian artist Lygia Clark is best known for taking her...

Gigi and Dar, Arcola Theatre review - a war-game of two halv...

The writer-director Josh Azouz and actor-director Kathryn Hunter have collaborated on a piece exploring the ethics of being an army of...

Portraits of Dangerous Women review - quirky indie comedy

“I like laws and rules,” Steph (Jeany Spark), a jaded primary school teacher, tells a pet-shop employee – she’s adopting a cat, though...