mon 24/02/2020

Jasper Rees

Jasper Rees's picture
Bio
Jasper has written about the arts, books, the media and sport for many broadsheets and magazines. He currently writes for the Telegraph and the Spectator. In the 1990s he also wrote about football for The Independent on Sunday. He is the author of I Found My Horn and co-author of the play of the same name. Bred of Heaven, his book on Wales and Welshness, was published in August 2011 and read on BBC Radio 4's Book of the Week. His latest book is a biography of Florence Foster Jenkins

Articles By Jasper Rees

Papillon review - a not very great escape

Read more...

The Little Drummer Girl, BBC One, series finale review - Le Carré drama comes to the boil at last

Read more...

Death and Nightingales, BBC Two, review - slow, lyrical, slightly dull

Read more...

The Girl in the Spider's Web review - Claire Foy leathers up

Read more...

WW1: The Last Tommies, BBC Four review - Great War stories

Read more...

Don Quixote rides again, and again

Read more...

The Little Drummer Girl, BBC One, review - latest Le Carré just passes audition

Read more...

Press, BBC One, series finale review - scarcely credible but highly entertaining

Read more...

Wanderlust, BBC One, series finale review - you can't have your cake and eat it

Read more...

Bodyguard, BBC One, series finale review - gripping entertainment of the highest calibre

Read more...

theartsdesk Q&A: Chas and Dave

Read more...

The Little Stranger review - the wrong sort of chills

Read more...

'You won't be able to handle this lady': remembering Fenella Fielding

Read more...

Keeping Faith, BBC One, series finale review - we need to talk about Evan

Read more...

Yardie review - Idris Elba shoots straight in his directorial debut

Read more...

Bodyguard, BBC One, episode 2 review - a wild ride to who knows where

Read more...

Pages

latest in today

Masculinities: Liberation through Photography, Barbican revi...

The exhibition starts on the Barbican’s lift doors, which are emblazoned with photographs...

Alexei Sayle, Oxford Playhouse review - return of the politi...

It has been seven years since Alexei Sayle last toured – radio shows and books detaining him elsewhere – but he's back with a bang. As he walks on...

DVD/Blu-ray: The Winslow Boy

Though set in a handsomely-realised 1912, many of The Winslow Boy’s period details seem disconcertingly contemporary, from aggressive...

Panikos Panayi: Migrant City review – the capital of the wor...

Some menus never change. In 1910, the Loyal British Waiters Society came into being, prompted by “xenophobic resentment at the dominance of...

Patricia Grace: Potiki review – a searching examination of h...

With the publication of her first work, Waiariki (1975), Patricia Grace became the author of the first ever collection of short stories...

Reissue CDs Weekly: Bona Rays

For record buyers, Bona Rays left limited evidence for their existence. One single was issued by the aptly named Mystery Records in 1981. Pressed...

CD: Grimes - Miss Anthropocene

Grimes is hilarious. For all the grandiose conceptualism, apocalyptic visions, high tech sonic manipulation, outré costumes, modish witchery,...

Aimard, Gürzenich-Orchester Köln, Roth, RFH review - Beethov...

In Beethoven anniversary year, there are three ways to...

Hunters, Amazon Prime review - bringing God's justice t...

Apparently network executives initially reacted with alarm to the premise of Hunters,...

Supergrass, Barrowland, Glasgow review - nostalgic reunion p...

As Gaz Coombes noted around the halfway point of Supergrass’s Barrowland set “the last time we were here it was to say goodbye”. That was a decade...