tue 18/06/2024

Heather Neill

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Bio
Heather Neill is a critic and theatre writer. She was Arts Editor of The Times Educational Supplement and has contributed features to The Times, Telegraph and theatre programmes. She reviews for The Stage, interviews for theatrevoice.com and has been a judge of the Offies and the Theatre Book Prize and an assessor for NT Connections.

Articles By Heather Neill

Romeo and Juliet, Creation Theatre online review - game version falls between stools

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Romeo and Juliet, National Theatre online review - a triumphant hybrid

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Romeo and Juliet, Palace Theatre, Manchester online review - futuristic and timely

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Love in a Wood, Jermyn Street Theatre review - stars gather remotely for a lively online presentation

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A Midsummer Night's Dream, Shakespeare's Globe online review - a seasonal treat

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Nora: A Doll's House, Young Vic review - Ibsen diced, sliced and reinvented with poetic precision

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The Duchess of Malfi, Almeida Theatre review - a radically original perspective on Webster's tragedy

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A Christmas Carol, Old Vic Theatre review - the festive favourite mixes gloom with merriment

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The Wind of Heaven, Finborough Theatre review - a welcome, if strange, Emlyn Williams rediscovery

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The Taming of the Shrew, Barbican review - different but still problematic

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Ian McKellen On Stage, Harold Pinter Theatre review - a master relishes the joy of theatre

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Blood Wedding, Young Vic review - inventive, poetic if over-stretched revival of Lorca's rural tragedy

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A Doll's House, Lyric Hammersmith review - Ibsen tellingly transposed to colonial India

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The Girl on the Train, Duke of York's Theatre review - boozy psycho-thriller rolls clunkily into town

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theartsdesk Q&A: Lia Williams on the challenges of theatre

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Death of a Salesman, Young Vic review - new-minted revival of a masterpiece

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latest in today

The Master Musicians of Joujouka, Morocco review - a healing...

A small mountain village, tucked away in the foothills of the Rif Mountains, south-east of Tangier. The “smallest music festival in the world”, so...

Gavin Jantjes: To Be Free, Whitechapel Gallery review - a sw...

Born in Cape Town in 1948, Gavin Jantjes grew up under ...

Blu-ray: The Small Back Room

Powell and Pressburger’s least remembered Forties film is shrouded in Blitz darkness, deepening in the warped flat where alcoholic weapons expert...

Presumed Innocent, Apple TV+ review - you read the book and...

Scott Turow published his cunningly-wrought legal thriller in 1987, and Alan J Pakula’s powerful movie version, starring Harrison Ford, appeared...

Ashton Celebrated, Royal Ballet review - peerless delights f...

Launching a four-year global project to proclaim the genius of...

Il Trittico, Welsh National Opera review - another triumph f...

It’s somehow typical of the Welsh National Opera I’ve known now for...

Goldscheider, Royal Orchestral Society, Miller, SJSS review...

London’s non-professional orchestra sector is an undervalued asset to the city, and deserves more attention. And so last night I went to hear the...

Freud's Last Session review - Freud and CS Lewis search...

How can it be part of God’s plan to allow so much pain and suffering in the world, asks Sigmund Freud (Anthony Hopkins) of a young Oxford don, CS...

Album: Kehlani - CRASH

The noise in the international mainstream in recent years might be about dance-pop,...