tue 18/06/2024

Heather Neill

Heather Neill's picture
Bio
Heather Neill is a critic and theatre writer. She was Arts Editor of The Times Educational Supplement and has contributed features to The Times, Telegraph and theatre programmes. She reviews for The Stage, interviews for theatrevoice.com and has been a judge of the Offies and the Theatre Book Prize and an assessor for NT Connections.

Articles By Heather Neill

Dear Brutus, Southwark Playhouse review - a judicious mix of comedy and sadness

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Saint George and the Dragon, National Theatre review – a modern folk tale in the Olivier

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Nikki Amuka-Bird interview: 'There’s huge enthusiasm among actors of colour'

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The Mentor, Vaudeville Theatre review - having fun with artistic integrity

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Life of Galileo, Young Vic review - shared-experience Brecht is powerful, timely

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The Goat, or Who Is Sylvia?, Theatre Royal Haymarket review - 'Damian Lewis devastates'

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Anna Maxwell Martin: 'I like playing baddies' - interview

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Who's Afraid of Virginia Woolf?, Harold Pinter Theatre

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10 Questions for Director Ellen McDougall

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Peter Pan, National Theatre

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10 Questions for Actor David Troughton

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King Lear, Old Vic

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'I am dismayed by the tone of the debate'

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theartsdesk in Venice: Shylock comes home

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The Wars of the Roses, Rose Theatre, Kingston

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10 Questions for Actress Jane Lapotaire

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latest in today

The Master Musicians of Joujouka, Morocco review - a healing...

A small mountain village, tucked away in the foothills of the Rif Mountains, south-east of Tangier. The “smallest music festival in the world”, so...

Gavin Jantjes: To Be Free, Whitechapel Gallery review - a sw...

Born in Cape Town in 1948, Gavin Jantjes grew up under ...

Blu-ray: The Small Back Room

Powell and Pressburger’s least remembered Forties film is shrouded in Blitz darkness, deepening in the warped flat where alcoholic weapons expert...

Presumed Innocent, Apple TV+ review - you read the book and...

Scott Turow published his cunningly-wrought legal thriller in 1987, and Alan J Pakula’s powerful movie version, starring Harrison Ford, appeared...

Ashton Celebrated, Royal Ballet review - peerless delights f...

Launching a four-year global project to proclaim the genius of...

Il Trittico, Welsh National Opera review - another triumph f...

It’s somehow typical of the Welsh National Opera I’ve known now for...

Goldscheider, Royal Orchestral Society, Miller, SJSS review...

London’s non-professional orchestra sector is an undervalued asset to the city, and deserves more attention. And so last night I went to hear the...

Freud's Last Session review - Freud and CS Lewis search...

How can it be part of God’s plan to allow so much pain and suffering in the world, asks Sigmund Freud (Anthony Hopkins) of a young Oxford don, CS...

Album: Kehlani - CRASH

The noise in the international mainstream in recent years might be about dance-pop,...