sat 16/02/2019

graham rickson

Bio
Graham, who writes on classical music, lives in Leeds.

Articles By Graham Rickson

latest in today

The Magic Flute, Welsh National Opera review - charming to h...

I last saw this Magic Flute, directed by Dominic Cooke, when it was new, some fourteen years ago, and I remember it mainly, I’m afraid,...

Mektoub, My Love: Canto Uno review - cold carnal overdose fr...

Abdellatif Kechiche, the Tunisian-French director, is perhaps best known for the lengthy and explicit sex-scenes in La vie d’Adèle (...

CD: Avril Lavigne - Head Above Water

Avril Lavigne was the original Punk Pop Queen. Fearless, feisty and...

Berberian Sound Studio, Donmar Warehouse review – improves t...

Two men called "Massimo" face the audience, one very tall, one very, well, minimo. The tall Massimo (Tom Espiner, pictured below...

The Kid Who Would Be King review - a timeless charmer

The Arthurian legend’s tight fit as a Brexit allegory perhaps proves how...

John Ruskin: The Power of Seeing, Two Temple Place review -...

The power of seeing was the bedrock of John Ruskin’s philosophy. In the bicentenary of his birth, a revelatory exhibition at Two Temple Place in...

DVD: Tides

Tides tells of fortysomething angst and camaraderie, though “tells” might be an exaggeration. In a concerted attempt to make a...

The American Clock, Old Vic review - Arthur Miller's mu...

This year’s unofficial Arthur Miller season – following The Price and ahead of All My Sons at the Old Vic and Death of a...

Sarah Chang, Ashley Wass, Cadogan Hall review – a virtuoso...

“My first recital in about a gazillion years in...