sun 03/03/2024

graham rickson

Bio
Graham, who writes on classical music, lives in Leeds.

Articles By Graham Rickson

Classical CDs: Christmas 2021, Part 1

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Classical CDs: Weak heartbeats, bell foundries and French froth

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DVD/Blu-ray: Belleville Rendezvous

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Classical CDs: Muesli, mindfulness colouring and a trip to the boulangerie

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Blu-ray: Celia

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Classical CDs: Two bass drums, three oranges and seven symphonies

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Bernstein Double Bill, Opera North review - fractured relationships in song and dance

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Classical CDs: Rediscovered orchestral jazz, natural trumpets and non-seasonal chamber music

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Blu-ray: The Lighthouse (Mayak)

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DVD/Blu-ray: Maigret - The Complete Series

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Classical CDs: Lieder, folk song and a neglected conductor receiving his due

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Leeds International Piano Competition Finals, Leeds Town Hall review - a hi-tech, low carbon musical celebration

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Classical CDs: Star sopranos, forest spirits and a Mexican funeral march

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DVD/Blu-ray: The Fifth Horseman is Fear

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Classical CDs: Viols, violas and symphonies from a Latvian polymath

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Classical CDs: Soviet symphonies, popular classics and percussion

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latest in today

The Creation, Alder, Clayton, Mofidian, LPO, Gardner, RFH re...

Light and grace must flood the concert hall in Haydn’s The Creation, after a striking-for-its time evocation of Chaos, and periwigged...

Dune: Part 2 review - sombre space opera

Dennis Villeneuve’s Dune sequel is a sombre science-fiction spectacle that insists on the scale of cinema: erupting sandworms are Cecil B...

Faust, LSO, Rattle, Barbican review - violence and wit in Sh...

The LSO’s apéritif hour “Half-Six Fixes” have an informality that usually works and sometimes doesn’t. But the first of this two-night...

Music Reissues Weekly: Mark Eric - A Midsummer’s Day Dream

In June 1969, The Beach Boys released “Break Away” as a single. A month earlier, they had announced they were leaving Capitol Records, who they...

St Matthew Passion, Irish Baroque Orchestra, Whelan, St Patr...

After last year’s small-scale, big-impact Messiah in the Wigmore Hall, superlatives are again in order for the IBO’s performance of the...

Lisa Frankenstein review - a bitchy trawl through the high-s...

Diablo Cody’s biggest screenwriting hit was 2007’s Juno, a larky but tender story of teenage pregnancy. She’s gone back to high school...

First Person: violinist Tom Greed on breaking down barriers...

For musicians, the period from early 2020 to mid-2021 was one of great reflection, with so many questions to puzzle over. Could we satisfy the...

Album: Squarepusher - Dostrotime

Over the years, Tom “Squarepusher” Jenkinson has covered a lot of ground over three decades, from dank cellar ambience to refined baroque...

Standing at the Sky's Edge, Gillian Lynne Theatre revie...

Can there be anyone from Sheffield who has not seen ...