mon 28/07/2025

tv

The Great British Bake Off, Channel 4 review – a cake with adverts is still a cake

Barney Harsent

By the outrage it prompted, you’d be forgiven for thinking that The Great British Bake Off’s move to Channel 4 was a national disaster. If only the public felt so indignant about the sale of the Post Office, or the creeping privatisation of a beleaguered NHS… but hey-ho, cakes it is, then. 

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Trust Me, BBC One, series finale review - drama about fake doctor was also pretending

Jasper Rees

Trust Me made an eponymous plea to the audience. Its implausible premise – that a nurse might steal a doctor’s identity and land a job in A&E – called for your credulity.

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Strike: The Cuckoo's Calling, BBC One review - JK Rowling's debut in crime bows most promisingly

Tom Birchenough

There’s a new ‘tec in town. Cormoran Strike may look like one of life’s losers – he’s on the edge of bankruptcy, sleeps in the office, and what passes for a personal life is a right mess – but in Tom Burke’s portrayal I suspect he’s going to be winning audiences in a big way.

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Wasting Away, Channel 4 review - we can't fix people while the NHS is broken

Barney Harsent

Journalist Mark Austin is no stranger to conflict, having reported from war-torn landscapes including Rwanda, Iraq and even the ITN newsdesk. However, when the battle lines were drawn closer to home and involved an enemy he couldn’t see, the veteran journalist found himself in unfamiliar territory and without any kind of roadmap. 

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The State, Channel 4 review - dishonest portrait of British jihadis

Jasper Rees

It’s a burning question of western civilisation: what persuades young people brought up among us to walk out on their lives and join the cult of murderous fanatics who call themselves Islamic State?

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No More Boys and Girls, BBC Two – baby steps lead to great leaps for children

Barney Harsent

Whether it’s the £400,000 that separates Mishal Husain from John Humphrys, or the 74 million miles between the metaphorical markers of Venus and Mars, there is a gulf between the genders. Despite legislation to enforce equality, the reality is that, right from the start, boys and girls are treated differently. Boys like trains, right?

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I Know Who You Are, series finale, BBC Four review - gripping, but no one to root for

Jasper Rees

The first thing to say is that this wasn’t the actual end. BBC Four scheduled I Know Who You Are to run two episodes a night over five Saturdays. The innocent punter might have assumed that after 10 x 70 minutes of the Spanish import, we’d arrive at some sort of terminus.

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Citizen Jane review - portrait of a New York toughie

Markie Robson-Scott

When you’re next strolling through Washington Square Park, or SoHo, or the West Village, you can thank Jane Jacobs that those New York neighbourhoods have survived (though she'd blanch at the price of real estate). Four-lane highways almost dissected and ruined them in the mid-Fifties, but her grass-roots activism saved those higgledy-piggledy streets.

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Trust Me, BBC One review - Jodie Whittaker's tense medical check-up

Jasper Rees

Even the canniest scheduler at BBC One couldn’t have arranged things so propitiously. Jodie Whittaker was already filming the medical drama Trust Me when she was cast as you know Who.

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Utopia: In Search of the Dream, BBC Four review - the best of all possible documentaries?

Marina Vaizey

Only man is vile, goes the hymn, and yet humankind has always imagined ideal societies where people care for one another, everyone has access to anything necessary physical and emotional well-being, and all is for the best – without irony – in the best of all possible worlds.

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