sun 25/05/2025

tv

Wasting Away, Channel 4 review - we can't fix people while the NHS is broken

Barney Harsent

Journalist Mark Austin is no stranger to conflict, having reported from war-torn landscapes including Rwanda, Iraq and even the ITN newsdesk. However, when the battle lines were drawn closer to home and involved an enemy he couldn’t see, the veteran journalist found himself in unfamiliar territory and without any kind of roadmap. 

Read more...

The State, Channel 4 review - dishonest portrait of British jihadis

Jasper Rees

It’s a burning question of western civilisation: what persuades young people brought up among us to walk out on their lives and join the cult of murderous fanatics who call themselves Islamic State?

Read more...

No More Boys and Girls, BBC Two – baby steps lead to great leaps for children

Barney Harsent

Whether it’s the £400,000 that separates Mishal Husain from John Humphrys, or the 74 million miles between the metaphorical markers of Venus and Mars, there is a gulf between the genders. Despite legislation to enforce equality, the reality is that, right from the start, boys and girls are treated differently. Boys like trains, right?

Read more...

I Know Who You Are, series finale, BBC Four review - gripping, but no one to root for

Jasper Rees

The first thing to say is that this wasn’t the actual end. BBC Four scheduled I Know Who You Are to run two episodes a night over five Saturdays. The innocent punter might have assumed that after 10 x 70 minutes of the Spanish import, we’d arrive at some sort of terminus.

Read more...

Citizen Jane review - portrait of a New York toughie

Markie Robson-Scott

When you’re next strolling through Washington Square Park, or SoHo, or the West Village, you can thank Jane Jacobs that those New York neighbourhoods have survived (though she'd blanch at the price of real estate). Four-lane highways almost dissected and ruined them in the mid-Fifties, but her grass-roots activism saved those higgledy-piggledy streets.

Read more...

Trust Me, BBC One review - Jodie Whittaker's tense medical check-up

Jasper Rees

Even the canniest scheduler at BBC One couldn’t have arranged things so propitiously. Jodie Whittaker was already filming the medical drama Trust Me when she was cast as you know Who.

Read more...

Utopia: In Search of the Dream, BBC Four review - the best of all possible documentaries?

Marina Vaizey

Only man is vile, goes the hymn, and yet humankind has always imagined ideal societies where people care for one another, everyone has access to anything necessary physical and emotional well-being, and all is for the best – without irony – in the best of all possible worlds.

Read more...

Fargo, Series 3 Finale, Channel 4 review - the best drama of the year?

Mark Sanderson

This is a true story. This is a story…” The self-referential nature of Noah Hawley’s baroque narrative arc was one of the great joys of the third season of Fargo. Over the past 10 weeks its constant invention, cinematic tricks and award-worthy performances have come together to produce the best drama of the year (so far).

Read more...

Man in an Orange Shirt, BBC Two review - soft-focus view of 1940s gay love affair

Mark Sanderson

As chat-up lines go, “I can’t do my fly up single-handed” is pretty full on – even if it is true. Thomas March (James McArdle) is speaking to James Berryman (Oliver Jackson-Cohen), who not only went to the same public school but has also just saved his life on the Italian front during World War Two. Furthermore, the come-on works. The wounded soldiers are soon sucking face.

Read more...

The Handmaid's Tale, Series 1 finale, Channel 4 review - exquisite to look at but glacially slow

Adam Sweeting

Come awards time, it’s inevitable that Elisabeth Moss will be collecting a few for her portrayal of Offred, the endlessly-suffering lead character in The Handmaid’s Tale (her real name is June). But I reckon the real stars of the show are cinematographer Colin Watkinson plus the production design and art direction teams.

Read more...

Pages

 

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Batiashvili, LSO, Pappano, Barbican review - French and Poli...

Three live, very alive Symphonie fantastiques in a year may seem a lot. But such is Berlioz’s precise, unique and somehow modern...

Music Reissues Weekly: Johnnie Taylor - Who's Making Lo...

Johnnie Taylor’s big break came with the ever-fabulous September 1968 single “Who's Making Love.” His ninth 45 for the Stax label, it went Top Ten...

Faust, Royal Opera review - pure theatre in this solid reviv...

“Satan come to me!” The Devil doesn’t so much appear in David McVicar’s Faust as reveal himself to have always been there. We discover...

Mrs. Warren's Profession, Garrick Theatre review - moth...

How do you make Bernard Shaw sear the stage anew? You can trim the text, as the director Dominic Cooke has, bringing this prolix writer's 1893...

Mongrel review - deeply empathetic filmmaking from Taiwan

There is a dark, spectral quality to this compassionate film about Southeast Asian migrant workers in rural Taiwan. At the centre...

Owen, Manchester Camerata, Takács-Nagy, Stoller Hall, Manche...

Manchester Camerata spent eight years performing and recording a complete edition of Mozart’s piano concertos with Jean-Efflam Bavouzet as soloist...

Album: Morcheeba - Escape the Chaos

Morcheeba reach their 30th anniversary this year. The 1990s...

The Phoenician Scheme review - further adventures in the idi...

It’s not what he says, it’s the way he says it. Few filmmakers have bent the term “auteur” to their own ends more boldly than...

Album: Ammar 808 - Club Tounsi

Ammar 808 is the high octane vehicle for the Tunisian-born producer Sofyann Ben Youssef, now based in Denmark. His first album Maghreb United...