sun 25/05/2025

tv

Babylon Berlin, Sky Atlantic review – brilliantly promising Euro-noir

Owen Richards

Sky Atlantic’s German import is an intoxicating mix of intrigue and betrayal, set in the excessive days of the Weimar Republic. Gripping stories and extravagant production meet in the opening two episodes of this brilliantly promising Euro-noir.

Read more...

I Know Who You Are, Series 2, BBC Four review - get on with it, por favor

Jasper Rees

Here we go again then. The “first series”, as the BBC are calling it after the fact, of I Know Who You Are slammed the brakes on and juddered to a bewildering halt back in the middle of August. Almost everyone who’d sat through the plot dodgems of those 10 episodes will have had the same reaction: eh?

Read more...

Queen: Rock the World, BBC Four review - we won't rock you

Jasper Rees

Forty years ago Whispering Bob Harris made a documentary about Queen. He eavesdropped on them as they recorded the album News of the World and then followed them around America on tour.

Read more...

Strike Back, Series 6, Sky 1 review - more stories for boys

Adam Sweeting

Laughable though it frequently – oh go on then, always – is, Strike Back is obviously a target-rich environment for those of a thespian persuasion.

Read more...

66 Days, BBC Four review - Bobby Sands strikes again

Tom Birchenough

There was much more to Brendan J Byrne’s engrossing, even-handed documentary 66 Days (BBC Four) than its title might at first suggest. The timeline that led up to the death on 5 May 1981 of the IRA prisoner provided its immediate context – an increasingly dramatic one as the countdown of Sands’s hunger strike nears its inexorable conclusion.

Read more...

Inspector George Gently, BBC One review - power, corruption and lies in his last-ever case

Mark Sanderson

And now the end is near… and so Inspector George Gently faces his final case. Deemed too political to be broadcast in its original slot in May – 10 days before the General Election – Gently and the New Age was postponed until 8.30pm last night.

Read more...

W1A, Series 3 Finale, BBC Two review - the satire gets to the end of its joke

Barney Harsent

Repetition can help clarity. It emphasises significance, and shines a light more directly onto something hidden. It can guide us gently into an area we might have otherwise circumvented, and urge us to stare at something for long enough to see beyond, and transcend previous, long-held opinions.

Read more...

Newsnight: Grenfell Tower - The 21st Floor, BBC Two review - a simple, moving reconstruction

Jasper Rees

The streets around Grenfell Tower on the morning after it was consumed by fire heaved with people. A stream of donors brought food, clothes and toiletries, while news crews and journalists came in vans or on foot as if arriving in a war zone.

Read more...

Jacqueline du Pré: A Gift Beyond Words, BBC Four review - ode to joyful cellist

Peter Quantrill

Hyperbole be damned. The most iconic English classical recording was made on 19 August 1965 in Kingsway Hall, London. Like Maria Callas singing Tosca, Jacqueline du Pré simply was the Elgar Cello Concerto once the LP hit the shops in time for Christmas.

Read more...

Gunpowder, BBC One review – death, horror, treason and a hint of farce

Adam Sweeting

Much is being made of the fact that Kit Harington is not only playing the Gunpowder Plot mastermind Robert Catesby, but is genuinely descended from him (and his middle name is Catesby).

Read more...

Pages

 

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Batiashvili, LSO, Pappano, Barbican review - French and Poli...

Three live, very alive Symphonie fantastiques in a year may seem a lot. But such is Berlioz’s precise, unique and somehow modern...

Music Reissues Weekly: Johnnie Taylor - Who's Making Lo...

Johnnie Taylor’s big break came with the ever-fabulous September 1968 single “Who's Making Love.” His ninth 45 for the Stax label, it went Top Ten...

Faust, Royal Opera review - pure theatre in this solid reviv...

“Satan come to me!” The Devil doesn’t so much appear in David McVicar’s Faust as reveal himself to have always been there. We discover...

Mrs. Warren's Profession, Garrick Theatre review - moth...

How do you make Bernard Shaw sear the stage anew? You can trim the text, as the director Dominic Cooke has, bringing this prolix writer's 1893...

Mongrel review - deeply empathetic filmmaking from Taiwan

There is a dark, spectral quality to this compassionate film about Southeast Asian migrant workers in rural Taiwan. At the centre...

Owen, Manchester Camerata, Takács-Nagy, Stoller Hall, Manche...

Manchester Camerata spent eight years performing and recording a complete edition of Mozart’s piano concertos with Jean-Efflam Bavouzet as soloist...

Album: Morcheeba - Escape the Chaos

Morcheeba reach their 30th anniversary this year. The 1990s...

The Phoenician Scheme review - further adventures in the idi...

It’s not what he says, it’s the way he says it. Few filmmakers have bent the term “auteur” to their own ends more boldly than...

Album: Ammar 808 - Club Tounsi

Ammar 808 is the high octane vehicle for the Tunisian-born producer Sofyann Ben Youssef, now based in Denmark. His first album Maghreb United...